Buchanan’s life, like the lives of most people who have done anything
worth speaking of in their time, divides itself roughly into two
sections--the period of preparation, and the period of performance.
What I shall call his period of performance, or at all events chief
performance, was from the time when he finally returned to Scotland,
after an absence abroad, with brief interruptions, of twenty-two years,
and spent the remaining twenty-one years of his life in more or less
intimate occupation with the public affairs of his country. On the
19th of August 1561, Queen Mary, then in her nineteenth year, landed
at Leith, and was escorted to Holyrood by her enthusiastic subjects,
by whom she was also serenaded at night in a style which, as the
queen’s French retinue thought, showed more heart than art. Shortly
before or after this date, Buchanan, now fifty-five years old, also
appeared in Scotland, for his final settlement there. It is a curious
coincidence that these two persons, eminent alike in their widely
divergent spheres, and destined alternately to a literary friendship
that was pleasant to both, and a political antagonism that was fatal
to one of them, should have appeared on the scene of their sympathies
and conflicts practically at the same time. I have said that the
division of Buchanan’s life into a period of preparation and a period
of performance is a rough division. By that I mean that what really
deserves to be called performance could not be absolutely excluded from
the preparation period, and that, to some extent, one stage of the
performance period was often a preparation for the next; but taken with
this qualification, the division is a sufficiently valid one.
Public-domain text, read in full here on John Shaqi.
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