All this does not look very like a burning eagerness for posthumous
fame, at all events of the kind that moves a certain class of people to
leave money for hospitals, or almshouses, or learned foundations, to
perpetuate names that would otherwise never have risen out of obscurity
or escaped oblivion. As a matter of fact, Buchanan knew that he was
celebrated, but no one had a poorer opinion of the work that had won
him reputation than he had himself, not from the modesty of merit,
as the common form carelessly puts it, but from the consciousness of
merit, and because he felt that it was in him to do better. He hated
the idea of having more celebrity than he deserved, and wanted to
produce something that would show he was not an impostor or a quack.
In short, he did not want more fame, but what he thought a better and
honester title to the fame he had. That, however, is not the passion
for fame, but simply self-respect, and an unselfish anxiety for the
good name of those friends who had staked their reputation for taste
and judgment on his ability for turning out the highest class of work.
This is not the love of glory, but something better, although even if
it were, it would not necessarily be either weak or wrong, provided the
subject of it knew what he was doing in giving a rational scope to a
natural impulse, and that he could and would give humanity something
worth the prize of its praise.
Buchanan himself tells us why he gave up the _Sphere_ and took up the
_History_. It was primarily to gratify his friends, who thought that
such a work was a want of the time, more useful and more suitable to
Buchanan’s years than poetry; while he himself assures us, and there is
no reason to doubt his declaration, that he desired to set before his
royal pupil, James VI., the warnings and the encouragements derivable
from the story of his predecessors on the throne, including his own
ill-advised and ill-fated mother. It was no fault of Buchanan’s if
James despised his teacher’s counsel, and, listening to flatterers,
took up with the Divine Right doctrine, by impressing which on his
unhappy son, both through precept and example, he virtually destined
him to jump the life to come from the scaffold of Whitehall.
Public-domain text, read in full here on John Shaqi.
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