‘He was also of gud religion for a poet,’ says Sir James, when adding the last item to the creditor side of his profit and loss account of Buchanan’s qualities. ‘Gud religion for a poet’ is good, and characteristic of the times which said _Ubi tres medici, duo athei_,--‘Three Physicists,[4] two Atheists.’ Humanists, and still more Humanist poets, were also suspect, and for the same reason. The rebellion against Scholasticism, the resuscitation of the old Pagan spirit in thought and art and science, involved a staggering blow to Ecclesiastical Faith. Men whose minds were steeped in the literature of ancient Greece and Rome could not take sympathetically, I will not say, to Christianity, but to the dogmatic system of the Church, and even to much of its ethical teaching. ‘Humanity,’ in the sense of ‘the humanities,’ really meant the antithesis of Divinity. The Renaissance was a wakening up of the human intellect, an assertion of ‘private judgment’ in every possible sphere of its exercise, and in innumerable instances the Humanist created a faith and a code of morals for himself, although for comfort and convenience he might conceal his spiritual interior from the view of the ignorant and the unenlightened. In many an instance he held that there was one law for the men who understand, and another for the ‘vulgar’ who cannot understand. Popes and priests were often at heart Humanists of the most ‘advanced’ type, pushing the right of ‘private judgment’ to its furthest limit, discarding the public creed, and in morals, exercising, in favour of their appetites, that dispensing power which ‘private judgment,’ the Pope’s successor in so many awakened intellects, carried over with it, at all events extensively into practice, while simultaneously a silent outward conformity with the established system was carefully maintained.