As clear on the memory as his Irish
ruffianism is his portrait of the little drummer dying with his leg
through his drum to protect its voice from dishonour. One has heard of
Lieutenant Hepenstall--him who was called "The Walking Gallows"--as
well as of the drummer of Gorey, but Cruikshank was satisfied with
partizanship, and Ireland forgets him.
Our liberal interpretation of history allows us now to consider a few of
the works of Cruikshank which preserve for us scenes and types of his
age with or without the accompaniment of a fictitious text.
For his delineations of the sailor of Nelson's day we owe much to a
capital but neglected novelist M. H. Barker, author of "Greenwich
Hospital" (1826), "Topsail-Sheet Blocks" (1838), "The Old Sailor's Jolly
Boat" (1844), etc. Before the appearance of the earliest of these books
Cruikshank had etched Lieut. John Sheringham's designs entitled "The
Sailor's Progress" (1818), and those by Capt. Marryat entitled "The
Progress of a Midshipman" (1820). The illustrations to the quarto called
"Greenwich Hospital," are deservedly the most famous of Cruikshank's
sea-pictures. With lavish detail they exhibit Jack tearing along by
coach across pigs and fowls at finable knots per hour; carousing in the
Long Room with billowy sirens under a chandelier of candles; crossing
the line in a frenzy of ceremonious facetiousness; yelling in an
inn-parlour--though armless or "half a tree"--his delight in victory and
Nelson; ... and tied up for a whipping like a naughty boy. Barker was so
pleased with one of the illustrations for "Greenwich Hospital" that he
wrote on a proof (No. 1003-4 in the Cruikshank collection at South
Kensington), "Dear Friend, if you never do another design, the leg of
that table will immortalise you. It is a bonâ fide Peg." There is a mood
in which Clio prefers that crippled table-leg to Cruikshank's idea of
Solomon Eagle "denouncing of Judgment" upon London.
[Illustration: SOLOMON EAGLE. From the drawing by G. Cruikshank, as
engraved by Davenport for "A Journal of the Plague Year," 1833.]
Public-domain text, read in full here on John Shaqi.
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