Caricatures and cartoons -- Great Britain; English wit and humor; English wit and humor, Pictorial
The difference between Jack at six, and Jack at seven, was the difference
between a clock down and a clock wound up--between a bird in the shell,
and a bird on the wing--between a bowl of punch before, and after,
the spirit is poured in,--it was the difference between Philip drunk
and Philip sober (or the reverse if you will)--between a lord mayor
in his plain blue-coat and kerseys, and a lord mayor in his state
robes;--between Grimaldi at the side-scene waiting to go on, with that
most melancholy shadow on his face which tradition has so touchingly
painted, and Grimaldi on the stage, in view of the convulsed spectators,
the illuminator of congregated dulness, the instantaneous disperser of
the blues, the explorer of every crevice of the heart wherein care can
lurk--an embodied grin. It was the difference, to speak more exactly
still, between Sappho at her toilet, and Sappho at an evening mask.
To see Jack when just beginning to prepare for a drop-in somewhere,
late at night--between ten and twelve--was almost as good as seeing
him when arrived there. The rash promise made, he always contrived to
fulfil it--though it was often ten chances to one that he did not, and
he appeared to keep his engagements by miracle. As the hour drew nigh,
you would imagine that he had just received tidings of the dreadful
loss of several relatives per railroad, or that half his income had
been swallowed up in a mine, or forged exchequer-bills. It would be
impossible to conjecture that his shrugs and sighs, peevish gestures and
muttered execrations, were but the dark shadows of a brilliant "coming
event"--that discontent and mortification were the forerunners of the gay
Hours, and that bitter moroseness, limping and growling, announced the
approach of the dancing Pleasures!
So it was; for Jack at that moment, instead of hailing these dancing
Pleasures by anticipation, and meeting them at least half-way, would
gladly have ridden ten miles in any other direction. He could make
himself tolerably comfortable anywhere, save at the place to which he
was ruthlessly, imperiously bound--with anybody, save with the people
who were anxiously waiting for a glimpse of his good-humoured visage.
He was fully bent on going, in fact he felt that he must; yet he raised
every obstacle that ill-temper could invent, knowing all the while that
he should be obliged to surmount them.
He would even allow his reluctance to stir, to prevail so far over the
gentlemanly principle of his nature, as to question secretly within
himself whether he _ought_ to go, while he entertained a suspicion that
the people who had again invited him were not _quite_ prudent in giving
so many expensive parties!
Public-domain text, read in full here on John Shaqi.
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