Caricatures and cartoons -- Great Britain; English wit and humor; English wit and humor, Pictorial
--It may justly be doubted whether the figure thus looking down upon
a pyramid of skulls, is indeed "the man of thousand thrones"--whether
he _does_ "thus survive." The design is one of those that "show men as
they ought to be, not as they are." That opening of the coffin at St.
Helena opens up a world of curiosity, of wonder, and alarm. All the
spectators were awed and astounded at the absence of the great Dictator
of the Grave--Change! All the beholders were stricken to marble, or
melted into water-drops, to see Death looking like Life; to survey the
pale and placid features of the Emperor, expressing the serenity of
repose, not the workings of decay--to witness a sign of power beyond that
which ordinary clay may boast, and to feel that a "divinity did hedge"
indeed the hero-king, in preserving all that was mortal of the exiled
chief from the ravages of the worm. There lay the Emperor Napoleon--(he
was recognised then by the authorities, and should the parties meet
in the Shades, even George the Fourth can no longer style him General
Buonaparte)--there lay the Emperor--not simply in his habit as he lived,
but in the very flesh which he took with him out of Longwood. There
was the positive and unwasted substance--and there too was the seeming
spirit. The eyes only were wanting to give it reality and consciousness.
The Mighty Watcher had fallen asleep, but who could say that he never
again was to wake up? The restless Visionary had sunk, torpid, into a
dream of years. The Monarch had abdicated the throne of Life without
finally crossing its confines. At best, the spectacle presented an
extraordinary compromise with the insatiate Destroyer. The Archer had for
once half-missed his aim.
Now, it will be remembered that Fauntleroy was considered to
bear a decided resemblance to Napoleon--a very respectable
"likeness-done-in-this-style" sort of portrait--and Fauntleroy, as we
all hear, is said to be alive still! Somebody has remarked--in fact we
remarked it ourselves--that _on dit_ is French for "a lie;" and so it
may be in this particular: still the coincidence is curious. Even the
likeness of Napoleon is associated with things living; but Napoleon
himself has been seen, recognised, identified--looking like life
itself--sleeping, sightless, but not dead.
Public-domain text, read in full here on John Shaqi.
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