George Edmund Street: Unpublished Notes and Reprinted Papers — John Shaqi
George Edmund Street: Unpublished Notes and Reprinted PapersStreet, George Edmund
History
George Edmund Street: Unpublished Notes and Reprinted Papers
Street, George Edmund
Architecture, Gothic; Church architecture -- Europe; Europe -- Description and travel; Street, George Edmund, 1824-1881
The foreign journey was omitted only twice, in the year 1855, when his
son was born in October, and in 1870, when the Germans had invaded
France. In the latter year Street went to Scotland; in the former he
stayed at home on the Thames with Mrs. Street’s people, bringing out
his Italian book and working on the buildings for the Bishop of Oxford
at Cuddesden. Towards the end of the year he moved to London and took
a house in Montague Place. The plans which he submitted in competition
for a new cathedral at Lille won a second prize, and the Frenchman to
whom the actual building was given in the end had been rated originally
below him. He had by this time at least three assistants working under
him regularly, Edmund Sedding, Philip Webbe, and William Morris. He was
perpetually occupied with parishes and private persons--on schools,
chapels, restorations, residences even, country churches fitted to a
village community, town churches designed for the artisan populace and
their employers. He had finished Cuddesden College and carried work far
already on the whole important cluster of diocesan buildings; he had
begun building for the Anglican sisterhood at East Grinstead; he had
been praised not a little in the competition at Lille; he was to take a
second place, the next year, with his design for the Crimean Memorial
and in the end to build the church; and shortly thereafter he sent in
plans for new Government Offices. About this last he reasoned, with the
spendthrift logic of youth, that while he could hardly expect to win
the commission with a Gothic design, the premium offered to him among
others of the best was a hundred pounds and would give him another trip
to Italy, while he would gain, furthermore, from the public exhibition
of the drawings.
The undertaking cost, to be sure, time and strength, but of these he
was never stingy. He seems to have known how to be at once thrifty
and generous of himself--generous perhaps because thrifty. All his
life he seems to have done three men’s work in a day and all work in a
third of the time that other men would take. He mentions once, being
on a journey, that “it rained, so we read, wrote, and occupied the
many hours in the rumbling diligence as best we might.” The notes were
written often in diligence or train, as the firm clear writing betrays,
while it remains characteristic and legible. He worked habitually till
half-past twelve at night, yet with all the incessant occupation of the
most exacting sort, in large measure creative labour, you never think
of him, as he never can have thought of himself, as overworked. The
essential soundness, the vital force made his way of life spontaneous
and inevitable. The strong, even, white teeth, the strong, curling,
brown beard, were the visible token of bodily sanity and power, a sort
of physical validity of which the cause was not merely physical.
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