George Edmund Street: Unpublished Notes and Reprinted Papers — John Shaqi
George Edmund Street: Unpublished Notes and Reprinted PapersStreet, George Edmund
History
George Edmund Street: Unpublished Notes and Reprinted Papers
Street, George Edmund
Architecture, Gothic; Church architecture -- Europe; Europe -- Description and travel; Street, George Edmund, 1824-1881
In 1854 he went to Münster and Soest, and wrote for the
_Ecclesiologist_ during the following year three pieces on the
architecture of northern Germany, besides another for the Oxford
Architectural Society. Summary as are these brief and practical
papers, they remain still so entirely and beyond dispute the fullest
and most suggestive account of German brick work, they are so good
to steal from and so indispensable as adjuncts to Baedeker, and
finally, so characteristically foreshadow and supplement the Spanish
volume, that they are reprinted bodily in the appendix here. It is
precisely sixty years since they were written, and they are not only
not superseded, they are still unapproached. Back of the energy which
enabled him to cover a vast deal of ground and never miss a detail,
beyond the personal acquaintance, and not mere book-knowledge, of the
twelfth, thirteenth, fourteenth and fifteenth centuries in England,
France, Germany, Switzerland, Italy (to which later he was to add
Spain)--beneath all this learning lay the happiest instinct for what
was either first-rate or important or both. He rarely went out of his
way to look at a church that was not worth his while, he rarely failed
to look at every church in a town that would repay him. The _Memoir_
quotes a letter from this journey, with the characteristic prelude,
“he worked hard, as he always did, up early and in late”:--“I have got
a great budget of sketches; indeed, I have done pretty well, for in
a fortnight I have mustered about fifty-five large sketches besides
filling a goodly memorandum book. We enjoyed Lübeck immensely, and
amongst other feats astonished the natives by making rubbings of some
magnificent brasses, of which Marique did her share, to the delight of
the sacristan.”
His interest in German building was more practical than aesthetic; he
found suggestive parallels to his own problems in those of the rich
merchant cities, set down, often, in a country without accessible
stone. He recurs a dozen times, in his writings, to the similar
solutions found in S. Mary’s at Barcelona and S. Elizabeth’s at
Marburg, and the same type of building in brick developed about Lübeck
and Saragossa, Toulouse and Cremona--in the great plains of the north
of Germany, the north of Spain, and the north of Italy.
Public-domain text, read in full here on John Shaqi.
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