George Edmund Street: Unpublished Notes and Reprinted PapersStreet, George Edmund
History
George Edmund Street: Unpublished Notes and Reprinted Papers
Street, George Edmund
Architecture, Gothic; Church architecture -- Europe; Europe -- Description and travel; Street, George Edmund, 1824-1881
Lucca in its flat, surrounded by mountains, Pisa grand with water
and hills, Genoa with the blue Mediterranean at its feet, Siena on
its lofty though arid hills, and Arezzo with its fine prospect of
cultivated valley girt with hills, must all, lovely as they are, give
way to Perugia, seated on the irregular summit of a mountain, looking
one way toward Thrasimene and Monte Cortona, another toward the
irregular peaks of the Appenines, a third down the rich flat valley
of the Tiber, and last of all toward the noble mountain against whose
streaked side stands whitely shining in the distance the object of
many an artistic as well as many a religious aspiration, the shrine of
the great saint of Assisi. Add to this beauty of situation a beauty
of atmosphere which we never dream of in England, and the picture is
complete.
Certainly since we have been here this has been no land of cloudless
blue skies. We have had glorious weather, and yet without any doubt the
most glorious cloud scenery we have ever known anywhere. Sometimes a
violent storm in the distance and another close at hand, sunsets short
in duration but brilliant to excess while they last, and in midday
a purple, blue or violet tint over every portion of the wonderful
landscape....
_September 6._
We started at 5.30 A.M. for Assisi.... The sacristan took us up through
the sacristy by a staircase which opens into the north transept of
the upper church. From the gloom of the lower church to the flood of
coloured light in the upper the contrast is very great. The latter is
in all respects one of the most joyous buildings I have ever seen,
bold, nervous and simple in its design, exquisitely harmonious in
all its colouring, and in most respects unharmed by the hand of the
restorer. Obviously however the frescoes on the roof are losing their
colour and being gradually washed out. This is not difficult to account
for when one sees the state of the outer roof of the church, which,
I have no doubt, admits an ample supply of wet at the top of the
groining. The upper church is used only on some few great days during
the year and is I suppose even less cared for. It gave me a pang to be
shown into such a building by a door in a corner, to see the principal
door permanently closed, grass growing thick upon the dreary piazza
in front of it: it was even more mournful, I think, than is the sad
solitude of the great group at Pisa.
Public-domain text, read in full here on John Shaqi.
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