George Frideric HandelPeyser, Herbert F. (Herbert Francis)
History
George Frideric Handel
Peyser, Herbert F. (Herbert Francis)
Handel, George Frideric, 1685-1759
More or less mystery surrounds Handel’s arrival in Italy, though the
time was not exactly propitious, what with the War of the Spanish
Succession in full blast and funds in the wanderer’s pocket fairly low.
But the composer did not tarry in Florence, his first stop, for long and
early in 1707 went to Rome. From the operatic standpoint the Eternal
City had nothing to interest him. Pope Innocent III ten years previously
deciding that the opera house was immoral, had closed it; then when
things promised to improve a bit for musicians a devastating earthquake
renewed the religious qualms of the people, so that during the whole of
Handel’s Italian sojourn, Rome had not a single performance of opera.
However, there was abundant church and chamber music, which spurred him
to emulation. To the Easter festivities of April, 1707, he contributed a
“Dixit Dominus” and a few months later he wrote a “Laudate Pueri” and
other Latin Psalms. But more important for his future were the excellent
connections he made. Letters of recommendation from the Medici prince
opened the Roman salons to him; and in such aristocratic circles his
virtuosity on the keyboard seems to have gained him more fame than even
his compositions. “The famous Saxon” (“Il Sassone famoso”), as Handel
was called among the Romans even as early as the summer of 1707, was the
wonder of musical soirees. And he was making inestimable artistic
friendships. When we note that among those with whom he was brought into
contact at one time or another in Rome included the Scarlattis, father
and son; Arcangelo Corelli, Bernardo Pasquini, Benedetto Marcello—to
mention only a few—we can judge to what grandly fertilizing inspirations
Handel was exposed. We must mention in passing Cardinals Panfili and
Ottoboni, as well as the Marquis Ruspoli, who yielded to nobody in his
enthusiasm for Handel’s gifts. All these men belonged to a coterie
called the “Arcadians”, which united “the nobility and the artists in a
spiritual fraternity not only the most illustrious artists and
aristocrats of Italy, but further included four Popes and members of
foreign royalty.”
[Illustration: HANDEL AT THE TIME OF HIS FIRST VISIT TO ITALY.]
Public-domain text, read in full here on John Shaqi.
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