George Frideric HandelPeyser, Herbert F. (Herbert Francis)
History
George Frideric Handel
Peyser, Herbert F. (Herbert Francis)
Handel, George Frideric, 1685-1759
Father Handel was 63 when his great son came into the world. The future
composer of “Messiah” was born, not in the elaborate edifice which
carries his bust and is inscribed with the titles of his oratorios, but
in the house adjoining it which stands on a street corner and whose
official address is Nicolai Strasse 5. Yet even this statement must be
qualified. For this presumable “birthplace” was not built till 1800 and,
according to the researches of Newman Flower, stands on the _site_ of
the house in which Handel was born. As for the town of Halle, it had
definitely passed after the death of the Duke Augustus of Saxony, to
Brandenburg; so that, strictly speaking, Handel was born a Prussian.
But, as Rolland has noted, “the childhood of Handel was influenced by
two intellectual forces: the Saxon and the Prussian. Of the two the more
aristocratic, and also most powerful was the Saxon.” At all events,
after the Thirty Years’ War the city of Halle, during the Middle Ages a
center of culture and gaiety, had fallen into a drab provincialism.
[Illustration: The house at Halle where Handel was supposed to have been
born, decorated with laurels and the names of his oratorios. And—]
[Illustration: —The house next door in which he _was_ born.]
Apparently the child’s musical susceptibilities developed early and
rather like Mozart’s, even if unlike the latter, he had not the benefit
of a friendly and understanding father. Who has not seen at some time or
other the picture immortalizing the precocity of “the Infant Handel?”
The story goes that the indulgent mother had smuggled a clavichord into
the garret. In the dead of night the child crept to the attic till the
father, aroused by faint tinklings, came with a lantern to investigate.
Whether or not the clavichord was confiscated the result of the parental
raid was a stern prohibition of all sorts of music-making. Some of us
may be reminded by this apparent heartlessness of a rather similar
punishment visited on the youthful Bach, when his elder brother deprived
him of music he had painfully copied out by moonlight for his own use.
Public-domain text, read in full here on John Shaqi.
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