Meredith, George, 1828-1909 -- Criticism and interpretation
It is a long time since I read this entrancing novel, and here in
Paris, where I write, it is not attainable for reperusal. Hence many
of the names of the characters have escaped my memory, though I can
recall their personalities and actions vividly. I am still impressed
with the acquaintance of a wonderful Greek--a Mr. Pericles, a wandering
millionaire, ready upon hearsay to traverse Europe in the trail of
undiscovered musical genius. Staying at the country house of one vulgar
wealthy merchant, Mr. Pole, he unearths something like it in the voice
of Emilia. The Pole family consists of three of those inimitable,
ambitious, and diplomatic ladies that only Mr. Meredith hitherto has
drawn us. I forget their names. There is a brother, Wilfred Pole, a
cornet, one of those limp and flaccid _jeunes premiers_ novelists and
opera-composers are fond of selecting to sing the sweetest tenor in
duet with the heroines. The hero of the novel, as of the opera, is
usually the heroine’s foil, his unworthiness the shade against which
her splendour and strength shine. There is a dreadful Irish widow,
whose name I certainly remember--Mrs. Chumps. This awful creature
is, like the Irishman of English comedy, purely the result of Saxon
imagination dwelling upon our island without the illumination of
personal knowledge of the race or the country. I have here in Paris met
a Scotchwoman who gravely informed me that she was gathering materials
for an Irish novel, though she admitted she had never been in Ireland,
and her acquaintance of Irish people is exclusively confined to the few
specimens of the race she had had the misfortune to meet with abroad.
I shall be curious to see that novel when it appears, and fancy she
is not the first Britisher to represent us to posterity upon materials
for observation so slight and so misguiding. The only sympathy the
lady mentioned appears to bring to her gigantic task is a partiality
for a liquid as peculiar to the lowlands and highlands of Scotland
as to the mountains and bogs of Ireland. May unlimited quantities of
whisky enlighten her and enliven us! for she is bitten by a mighty
hatred of the nameless Celt. Under such circumstances, barring the
stimulus of mountain distillery, the widow Chumps seems to have been
drawn. Her brogue savours more of the Thames than of the banks of the
Suir. Such an Irish brogue is nowhere to be heard in Ireland. And there
is something curiously alien to that country in her denseness and
want of sensitiveness, for we know that pride and sensitiveness are
the curses of the race. She is an old flame of Pole’s--‘me Pole’ she
perpetually calls him, to the horror of the refined daughters and the
elegant cornet; and as Mr. Pole has squandered her money entrusted
to him, he is obliged to endure her overt tendernesses and force his
children to bow to her. This contest produces several lively scenes,
including the sequel when the widow finds she is betrayed and cheated
and her Pole a bankrupt. Mr.
Public-domain text, read in full here on John Shaqi.
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