And nothing in their bellies but a fill
Of cold peat-water, till their heads were light ...
The crackling of a rifle on the hill
Rang in his ears: and stung to headlong flight,
He started to his feet; and through the brake
He plunged in panic, heedless of the sun
That burned his cropped head to a red-hot ache
Still racked with crackling echoes of the gun.
Then suddenly the sun-enkindled fire
Of gorse upon the moor-top caught his eye:
And that gold glow held all his heart's desire,
As, like a witless, flame-bewildered fly,
He blundered towards the league-wide yellow blaze,
And tumbled headlong on the spikes of bloom;
And rising, bruised and bleeding and adaze,
Struggled through clutching spines; the dense, sweet fume
Of nutty, acrid scent like poison stealing
Through his hot blood; the bristling yellow glare
Spiking his eyes with fire, till he went reeling,
Stifled and blinded, on--and did not care
Though he were taken--wandering round and round,
'Jerusalem the Golden' quavering shrill,
Changing his tune to 'Tommy Tiddler's Ground':
Till, just a lost child on that dazzling hill,
Bewildered in a glittering golden maze
Of stinging scented fire, he dropped, quite done,
A shrivelling wisp within a world ablaze
Beneath a blinding sky, one blaze of sun.
HOOPS
[Scene: The big tent-stable of a travelling circus. On the ground near
the entrance GENTLEMAN JOHN, stableman and general odd-job man, lies
smoking beside MERRY ANDREW, the clown. GENTLEMAN JOHN is a little
hunched man with a sensitive face and dreamy eyes. MERRY ANDREW, who is
resting between the afternoon and evening performances, with his clown's
hat lying beside him, wears a crimson wig, and a baggy suit of
orange-coloured cotton, patterned with purple cats. His face is chalked
dead-white, and painted with a set grin, so that it is impossible to see
what manner of man he is. In the back-ground are camels and elephants
feeding, dimly visible in the steamy dusk of the tent.]
Gentleman John:
Public-domain text, read in full here on John Shaqi.
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