If these eyes could see what these eyes have not seen--
The inward vision clear--how should I look, for joy,
Knowing that beauty's self rose visible in the world
Over age that darkens, and griefs that destroy?
TEN O'CLOCK NO MORE [1]
The wind has thrown
The boldest of trees down.
Now disgraced it lies,
Naked in spring beneath the drifting skies,
Naked and still.
It was the wind
So furious and blind
That scourged half England through,
Ruining the fairest where most fair it grew
By dell and hill,
And springing here,
The black clouds dragging near,
Against this lonely elm
Thrust all his strength to maim and overwhelm
In one wild shock.
As in the deep
Satisfaction of dark sleep
The tree her dream dreamed on,
And woke to feel the wind's arms round her thrown
And her head rock.
And the wind raught
Her ageing boughs and caught
Her body fast again.
Then in one agony of age, grief, pain,
She fell and died.
Her noble height,
Branches that loved the light,
Her music and cool shade,
Her memories and all of her is dead
On the hill side.
But the wind stooped,
With madness tired, and drooped
In the soft valley and slept,
While morning strangely round the hush'd tree crept
And called in vain.
The birds fed where
The roots uptorn and bare
Thrust shameful at the sky;
And pewits round the tree would dip and cry
With the old pain.
'Ten o'clock's gone!'
Said sadly every one.
And mothers looking thought
Of sons and husbands far away that fought:--
And looked again.
[Footnote 1: "Ten o'clock" is the name of a tall tree that crowned the
eastern Cotswolds.]
THE FUGITIVE
In the hush of early even
The clouds came flocking over,
Till the last wind fell from heaven
And no bird cried.
Darkly the clouds were flocking,
Shadows moved and deepened,
Then paused; the poplar's rocking
Ceased; the light hung still
Like a painted thing, and deadly.
Then from the cloud's side flickered
Sharp lightning, thrusting madly
At the cowering fields.
Thrice the fierce cloud lighten'd,
Down the hill slow thunder trembled
Day in her cave grew frightened,
Crept away, and died.
THE ALDE
How near I walked to Love,
How long, I cannot tell.
I was like the Alde that flows
Quietly through green level lands,
So quietly, it knows
Their shape, their greenness and their shadows well;
And then undreamingly for miles it goes
And silently, beside the sea.
Seamews circle over,
The winter wildfowl wings,
Long and green the grasses wave
Between the river and the sea.
The sea's cry, wild or grave,
From bank to low bank of the river rings;
But the uncertain river though it crave
The sea, knows not the sea.
Was that indeed salt wind?
Came that noise from falling
Wild waters on a stony shore?
Oh, what is this new troubling tide
Of eager waves that pour
Around and over, leaping, parting, recalling?...
How near I moved (as day to same day wore)
And silently, beside the sea!
NEARNESS
Public-domain text, read in full here on John Shaqi.
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