Geraldine Farrar: The Story of an American SingerFarrar, Geraldine
General
Geraldine Farrar: The Story of an American Singer
Farrar, Geraldine
Farrar, Geraldine, 1882-1967; Singers -- United States -- Biography
Finally, the time came for me to enter the Melrose High School. I
objected seriously to the further routine of public schooling, as I
wished to study only music. But both my father and mother insisted; so I
began the study of languages. I was intensely interested in mythology,
history, and literature, but I hated mathematics. I always preferred to
count on my fingers rather than to use my brain for such merely
mechanical feats as adding or multiplying figures. In the study of
languages I soon found that my teachers were excellent grammarians, but
I pleaded that I wanted to learn to talk and not merely to conjugate.
I took a supplementary course in literature, and well remember the most
important incident when I competed for the prize. I was quite sure my
essay would win. In fancy I had already rehearsed the pretty speech in
which I should thank the committee for the honor conferred on me. But
the prize went to some one else. My anger was sudden and hot. Then and
there I made up my mind that if ever I could not be first in what I
attempted, I would drop it at once. I believed my material was best and
deserved the prize, and I was hurt at not conquering before an admiring
and enthusiastic audience!
[Illustration: GROWING UP]
Thus I early learned that maybe I could not always win, could not always
be first; that perseverance must aid natural talents; and that it is
cowardly to drop a thing when at first you don't succeed. The sting of
adverse criticism may often prove the best of tonics! I have since found
it so.
CHAPTER III
I RESOLVE TO SING CARMEN
Each spring in Melrose there was a May Carnival. One of the features of
the carnival in 1894, when I was twelve years old, was a pageant of
famous women impersonated by local talent. I was selected to represent
Jenny Lind and was told by the committee that I must sing "Home, Sweet
Home," but with characteristic disregard for the expected tradition I
decided to sing an aria in Italian first. The prima donna of my dreams
would naturally dazzle her hearers with a selection in some foreign
tongue, and then graciously respond to the clamorous multitude with a
simple ballad.
I had this stage effect quite planned in my mind. I didn't know a word
of Italian; but studied one song by myself from "Faust"--Siebel's song
which Scalchi used to sing in the old days and one seldom heard now. My
Italian may have been incomprehensible to a native, certainly it did not
disconcert Melrosians; my _aplomb_ was richly rewarded by numerous
recalls, just as I had dared to hope, and "Home, Sweet Home" was given
with due seriousness. I was happy and excited; I was "arriving" at
last! Also I wore my first low-neck dress.
Public-domain text, read in full here on John Shaqi.
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