At the junction of the two valleys stood an enormous building, half
manorial, half monastic in appearance. The shore formed, at this point,
for an extent of several hundred feet, a bluff whose edge plunged
vertically into the river. The chateau and its outbuildings rested upon
this solid base. The principal house was a large parallelogram of very
old construction, but which had evidently been almost entirely rebuilt
at the beginning of the sixteenth century. The stones, of grayish
granite which abounds in the Vosges, were streaked with blue and violet
veins, and gave the facade a sombre aspect, increased by the scarcity of
windows, some of which were ‘a la Palladio’, others almost as narrow
as loop-holes. An immense roof of red tile, darkened by rain, projected
several feet over the whole front, as is still to be seen in old cities
in the North. Thanks to this projecting weather-board, the apartments
upon the upper floor were shaded from the sun’s rays, like those persons
who have weak eyes and who protect them from a strong light by wearing a
green shade.
The view which this melancholy dwelling presented from the place where
the traveller had first seen it, was one which made it appear to the
best advantage; it seemed, from this point, to come immediately out of
the river, built as it was upon the very curb of the bluffs, at this
place at least thirty feet high. This elevation, added to that of the
building, effaced the lack of proportion of the roof and gave to the
whole a most imposing appearance; it seemed as if the rocks were a part
of the building to which it served as foundation, for the stones had
ended by assuming the same color, and it would have been difficult to
discover the junction of man’s work and that of nature, had it not been
outlined by a massive iron balcony running across the entire length of
the first story, whence one could enjoy the pleasure of line-fishing.
Two round towers with pointed roofs stood at each corner of the facade
and seemed to gaze with proud satisfaction at their own reflection in
the water.
A long line of sycamore-trees skirted the banks of the river, beginning
from the foot of the chateau, and forming the edge of a park which
extended to the back of the double valley. A little wooden bridge
connected this sort of avenue with the road the traveller had just
passed over; but the latter did not seem disposed to profit by this
silent invitation to which large raindrops gave more emphasis. He was so
absorbed in his meditation that, to arouse him, it needed the sound of a
gruff voice behind him uttering these words:
“That is what I call an ugly castle! It is hardly as good as our common
country houses around Marseilles.”
Public-domain text, read in full here on John Shaqi.
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