If he had not art in his brain, to make up for it he always had its name
at his tongue's end. Vaudeville writing or painting, poetry or music,
he dabbled in all these, like those horses sold as good for both riding
and driving, which are as bad in the saddle as in front of a tilbury.
He signed himself "Marillac, man of letters"; meanwhile, aside from his
profound disdain for the bourgeois, whom he called vulgar, and for the
French Academy, to which he had sworn never to belong, one could reproach
him with nothing. His penchant for the picturesque in expression was not
always, it is true, in the most excellent taste, but, in spite of these
little oddities, his unfortunate passion for art, and his affection for
the Middle Ages, he was a brave, worthy, and happy fellow, full of good
qualities, very much devoted to his friends, above all to Gerfaut. One
could, therefore, pardon him for being a pseudo-artist.
"Will your story be a long one?" said he to the playwright, when
Catherine had conducted them after supper to the double-bedded room,
where they were to pass the night.
"Long or short, what does it matter, since you must listen to it?"
"Because, first, I would make some grog and fill my pipe; otherwise, I
would content myself with a cigar."
"Take your pipe and make your grog."
"Here!" said the artist, running after Catherine, "don't rush downstairs
so. You are wanted. Fear nothing, interesting maid; you are safe with
us; but bring us a couple of glasses, brandy, sugar, a bowl, and some hot
water."
"They want some hot water," cried the servant, rushing into the kitchen
with a frightened look; "can they be ill at this hour?"
"Give the gentlemen what they want, you little simpleton!" replied
Mademoiselle Reine; "they probably want to concoct some of their Paris
drinks."
When all the articles necessary for the grog were on the table, Marillac
drew up an old armchair, took another chair to stretch his legs upon,
replaced his cap with a handkerchief artistically knotted about his head,
his boots with a pair of slippers, and, finally, lighted his pipe.
"Now," said he, as he seated himself, "I will listen without moving an
eyelid should your story last, like the creation, six days and nights."
Gerfaut took two or three turns about the room with the air of an orator
who is seeking for a beginning to a speech.
"You know," said he, "that Fate has more or less influence over our
lives, according to the condition of mind in which we happen to be.
In order that you may understand the importance of the adventure I am
about relating to you, it will be necessary for me to picture the state
of mind which I was in at the time it happened; this will he a sort of
philosophical and psychological preamble."
"Thunder!" interrupted Marillac, "if I had known that, I would have
ordered a second bowl."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account