This call produced no effect upon the animal section of the actors in
this scene, but it caused a sudden change among the servants and a few of
the hunters; the shouts of encouragement ceased at once; several of the
participants prudently tried to efface themselves; as to Rousselet, more
politic than the others, he boldly darted into the melee and picked up
the fainting puppy in his arms, carrying her as tenderly as a mother
would an infant, without troubling himself whether or not he was leaving
part of his coat-tails with the savage hounds.
When the old lady saw the object of her love placed at her feet covered
with mud, sprinkled with blood, and uttering stifled groans, which she
took for the death-rattle, she fell back in her chair speechless.
"Let us go," said Bergenheim in a low voice, taking his guest by the arm.
Gerfaut threw a glance around him and sought Clemence's eyes, but he did
not find them. Without troubling herself as to her aunt's despair,
Clemence had hurried to her room; for she felt the necessity of solitude
in order to calm her emotions, or perhaps to live them over a second
time. Octave resigned himself to following his companion. At the end of
a few moments, the barking of the dogs, the joking of the hunters, even
the wind in the trees and the rustling leaves, had bored Octave to such
an extent that, in spite of himself, his face betrayed him.
"What a doleful face you have!" exclaimed his host, laughingly. "I am
sorry that I took you away from Madame de Bergenheim; it seems that you
decidedly prefer her society to ours."
"Would you be very jealous if I were to admit the fact?" replied Octave,
making an effort to assume the same laughing tone as the Baron.
"Jealous! No, upon my honor! However, you are well constituted to give
umbrage to a poor husband.
But jealousy is not one of my traits of character, nor among my
principles."
"You are philosophical!" said the lover, with a forced smile.
"My philosophy is very simple. I respect my wife too much to suspect
her, and I love her too much to annoy her in advance with an imaginary
trouble. If this trouble should come, and I were sure of it, it would be
time enough to worry myself about it. Besides, it would be an affair
soon settled."
"What affair?" asked Marillac, slackening his pace in order to join in
the conversation.
"A foolish affair, my friend, which does not concern you, Monsieur de
Gerfaut, nor myself any longer, I hope; although I belong to the class
exposed to danger. We were speaking of conjugal troubles."
The artist threw a glance at his friend which signified: "What the deuce
made you take it into your head to start up this hare?"
Public-domain text, read in full here on John Shaqi.
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