German and Austrian Prisons: Prisons of Prussia, Bavaria, Saxony and Austria-Hungary; the Fortresses of Magdeburg and SpielbergGriffiths, Arthur
History
German and Austrian Prisons: Prisons of Prussia, Bavaria, Saxony and Austria-Hungary; the Fortresses of Magdeburg and Spielberg
Griffiths, Arthur
Prisons -- Austria -- History; Prisons -- Germany -- History
A few days later the same sentinel, who had been called a blockhead
for raising a false alarm, again heard Trenck burrowing, and called
his comrades. The major came also to hear the noise, and it was now
realised that Trenck was working under the foundation toward the
gallery. The officials entered the gallery at the other end with
lanterns, and Trenck as he crawled along saw the light and their
heads. He knew the worst, and hurrying back to his cell, had still the
presence of mind to conceal his pistols, candles, paper and money in
various holes and hiding places, where they were never found. This was
barely accomplished before his guards arrived, headed by the brutal
and stupid major, Bruckhausen by name. The hole in the floor was at
once filled up and the planking reinstated; his foot-chains, instead
of being merely fastened as before, were screwed down and riveted. The
worst trial for the moment was the loss of his bed, which he had cut up
to make into bags for the removal of the sand.
At this time General Borck was ill with an ailment that soon ended
in mental derangement. Another general, Krusemarck, replaced him and
proceeded to visit Trenck. They had been old friends and brother
officers, but the general showed him no compassion; on the contrary,
he abused him roundly, promising him even more severe treatment. It
was then that the inhuman order was issued to the night guards to
waken Trenck every quarter of an hour,--a devilish form of cruelty
unsurpassed in prison punishments. Kindly nature, however, came to the
rescue, and Trenck learned to answer automatically in his sleep; yet
this cruel device was continued for four years and until within a few
months of his final release.
Public-domain text, read in full here on John Shaqi.
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