German and Austrian Prisons: Prisons of Prussia, Bavaria, Saxony and Austria-Hungary; the Fortresses of Magdeburg and SpielbergGriffiths, Arthur
History
German and Austrian Prisons: Prisons of Prussia, Bavaria, Saxony and Austria-Hungary; the Fortresses of Magdeburg and Spielberg
Griffiths, Arthur
Prisons -- Austria -- History; Prisons -- Germany -- History
At Moabit it soon became evident that the separate system was not
suitable, and that secret intercourse among the convicts was not
preventable. The doors of the cells were therefore left open during
working hours, and a number of convicts worked in company. In church,
during exercise, and in school no isolation took place, but silence was
always enforced. On the whole, the Prussian authorities were not in
favour of prolonged isolation. As to the general result, it has been
thought that the cellular system lessened the number of reconvictions,
but that the experience had no lasting effect upon hardened or habitual
criminals. On the other hand, first offenders, or those who had been
tempted by opportunity or carried away by passion, were believed to
have been returned to society changed and reformed after a period of
cellular confinement. Progress continued to be made, although the
introduction of a new system of criminal procedure in 1849 led to such
an increase in the number of sentences that much overcrowding of the
prisons followed. Attention was in consequence directed rather toward
providing further accommodation than to experiments in treatment.
Such reforms as were urgent, including the separation of the sexes
in different buildings, were accomplished, while the building of new
prisons went steadily on and the fine specimens of the Stadtvogtei in
Berlin, the cellular prisons at Ratibor in Silesia and Rendsburg in
Schleswig-Holstein, a cellular police prison at Altona and similar
institutions in other provinces, showed that improvement did not tarry
by the way in Prussia.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account