German Society at the Close of the Middle AgesBax, Ernest Belfort
History
German Society at the Close of the Middle Ages
Bax, Ernest Belfort
Germany -- Social conditions; Reformation -- Germany
After this failure, Joss bethought him that he had better take the
matter in hand himself. Now, there was another artist of Freiburg, by
name Theodosius, who was just then painting frescoes in the church at
Lehen; to him Joss went one evening with Hans Enderlin, a person of
authority in the village, and Kilian Mayer. They invited him to the
house of one of the party, and emptied many a measure of wine. When
they had all drunk their fill, they went to walk in the garden, just as
the stars were beginning to come out. Joss now approached the painter
with his project. He told him that there was a stranger in the village
who wanted a small banner painted and had asked him (Joss) to demand
the cost. Theodosius showed himself amenable as regards this point, but
wanted to know what was to be the device on the banner. Directly Joss
mentioned the word _Bundschuh_, the worthy painter gave a start, and
swore that not for the wealth of the Holy Roman Empire itself would he
undertake such a business. They all saw that it was no use pressing him
any further, and so contented themselves with threatening him with dire
consequences should he divulge the conversation that he had had with
them. Hans Enderlin also reminded him that he had already taken an oath
of secrecy in all matters relating to the village, on his engagement to
do church work, a circumstance that curiously enough illustrates the
conditions of mediæval life. The painter, fearful of not receiving his
pay for the church work, if nothing worse, prudently kept silent.
Public-domain text, read in full here on John Shaqi.
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