Women -- France -- History -- 19th century -- Fiction; Working class women -- France -- Fiction
Quartier Saint-Georges, because of her intimacy with low wretches whom
she despised; and the lamentable consciousness of the premature senility
caused by drunkenness; and the inhuman exactions and brutality of the
Alphonses of the gutter; and the temptations to suicide which caused me
to pull her away from a window one day, when I found her leaning far
out--and lastly all the tears that we believed to be without cause--all
these things mingled with a very deep and heartfelt affection for us,
and with a vehement, feverish devotion when either of us was ill. And
this woman possessed an energetic character, a force of will, a skill in
mystification, to which nothing can be compared. Yes, yes, all those
frightful secrets kept under lock and key, hidden, buried deep in her
own heart, so that neither our eyes, nor our ears, nor our powers of
observation ever detected aught amiss, even in her hysterical attacks,
when nothing escaped her but groans: a mystery preserved until her
death, and which she must have believed would be buried with her. And of
what did she die? She died, because, all through one rainy winter's
night, eight months ago, at Montmartre, she spied upon the milkwoman's
son, who had turned her away, in order to find out with what woman he
had filled her place; a whole night leaning against a ground-floor
window, as a result of which she was drenched to the bones with deadly
pleurisy!
Poor creature, we forgive her; indeed, a vast compassion for her fills
our hearts, as we reflect upon all that she has suffered. But we have
become suspicious, for our lives, of the whole female sex, and of women
above us as well as of women below us in station. We are terror-stricken
at the double lining of their hearts, at the marvelous faculty, the
science, the consummate genius of falsehood with which their whole being
is instinct.
* * * * *
The above extracts are from our journal: JOURNAL DES
GONCOURTS--_Memoires de la Vie Litteraire_; they are the documentary
foundation upon which, two years later, my brother and I composed
GERMINIE LACERTEUX, whom we made a study of and taught when she was in
the service of our venerable cousin, Mademoiselle de C----t, of whom we
were writing a veracious biography, after the style of a biography of
modern history.
EDMOND DE GONCOURT.
_Auteuil, April, 1886._
I
"Saved! so you are really out of danger, mademoiselle!" exclaimed the
maid with a cry of joy, as she closed the door upon the doctor, and,
rushing to the bed on which her mistress lay, she began, in a frenzy of
happiness and with a shower of kisses to embrace, together with the bed
covers, the old woman's poor, emaciated body, which seemed, in the huge
bed, as small as a child's.
The old woman took her head, silently, in both hands, pressed it against
her heart, heaved a sigh, and muttered: "Ah, well! so I must live on!"
Public-domain text, read in full here on John Shaqi.
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