Women -- France -- History -- 19th century -- Fiction; Working class women -- France -- Fiction
From this ugly woman emanated a piquant, mysterious charm. Light and
shadow, jostling and intercepting each other on her face on which
hollows and protuberances abounded, imparted to it that suggestion of
libertinism which the painter of love scenes gives to the rough sketch
of his mistress. Everything about her,--her mouth, her eyes, her very
plainness--was instinct with allurement and solicitation. Her person
exhaled an aphrodisiac charm, which challenged and laid fast hold of the
other sex. It unloosed desire, and caused an electric shock. Sensual
thoughts were naturally and involuntarily aroused by her, by her
gestures, her gait, her slightest movement--even by the air in which her
body had left one of its undulations. Beside her, one felt as if he were
near one of those disturbing, disquieting creatures, burning with the
love disease and communicating it to others, whose face appears to man
in his restless hours, torments his listless noonday thoughts, haunts
his nights and trespasses upon his dreams.
In the midst of Mademoiselle de Varandeuil's scrutiny, Germinie stooped
over her, and covered her hand with hurried kisses.
"There--there--enough of that," said Mademoiselle. "You would soon wear
out the skin--with your way of kissing. Come, run along, enjoy yourself,
and try not to stay out too late. Don't get all tired out."
Mademoiselle de Varandeuil was left alone. She placed her elbows on her
knees, stared at the fire and stirred the burning wood with the tongs.
Then, as she was accustomed to do when deeply preoccupied, she struck
herself two or three sharp little blows on the neck with the flat of her
hand, and thereby set her black cap all awry.
VI
When she mentioned the subject of marriage to Germinie, Mademoiselle de
Varandeuil touched upon the real cause of her trouble. She placed her
hand upon the seat of her _ennui_. Her maid's uneven temper, her
distaste for life, the languor, the emptiness, the discontent of her
existence, arose from that disease which medical science calls the
_melancholia of virgins_. The torment of her twenty-four years was the
ardent, excited, poignant longing for marriage, for that state which was
too holy and honorable for her, and which seemed impossible of
attainment in face of the confession her womanly probity would insist
upon making of her fall and her unworthiness. Family losses and
misfortunes forcibly diverted her mind from her own troubles.
Public-domain text, read in full here on John Shaqi.
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