Women -- France -- History -- 19th century -- Fiction; Working class women -- France -- Fiction
The moment had arrived when the terrible truth, which she had suspected
before, at last became clear to her. She saw that she had failed to lay
hold of Jupillon by the devotion her love had manifested, by stripping
herself of all she possessed, by all the pecuniary sacrifices which
involved her life in the toils and embarrassment of a debt it was
impossible for her to pay. She felt that he gave her his love
grudgingly, a love to which he imparted all the humiliation of an act of
charity. When she told him that she was again _enceinte_, the man whom
she was about to make a father once more said to her: "Well, women like
you are amusing creatures! always full or just empty!" She conceived the
ideas, the suspicions that come to genuine love when it is betrayed, the
presentiments of the heart that tell women they are no longer in
undisputed possession of their lovers, and that there is another because
there is likely to be another.
She complained no more, she wept no more, she indulged no more in
recrimination. She abandoned the struggle with this man, armed with
indifference, who, with the cold-blooded sarcasm of the vulgar cad, was
so expert in insulting her passion, her unreasoning impulses, her wild
outbursts of affection. And so, in agonizing resignation, she set
herself the task of waiting--for what? She did not know: perhaps until
he would have no more of her.
Heart-broken and silent, she kept watch upon Jupillon; she followed him
about and never lost sight of him; she tried to make him speak by
interjecting remarks in his fits of distraction. She hovered about him,
but she saw nothing wrong, she could lay hold of nothing, detect
nothing; and yet she was convinced that there was something and that
what she feared was true; she felt a woman's presence in the air.
Public-domain text, read in full here on John Shaqi.
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