Women -- France -- History -- 19th century -- Fiction; Working class women -- France -- Fiction
One morning, as she went down the street rather earlier than usual, she
spied him a few yards before her on the sidewalk. He was dressed up, and
constantly looked himself over as he walked along. From time to time he
raised his trouser leg a little to see the polish on his boots. She
followed him. He went straight on without looking back. She was not far
behind him when he reached Place Breda. There was a woman walking on the
square beside the cabstand. Germinie could see nothing of her but her
back. Jupillon went up to her and she turned: it was his cousin. They
began to walk side by side, up and down the square; then they started
through Rue Breda toward Rue de Navarin. There the girl took Jupillon's
arm; she did not lean on it at first, but little by little, as they
proceeded, she leaned toward him, with the movement of a branch when it
is bent, and drew closer and closer. They walked slowly, so slowly that
at times Germinie was obliged to stop in order to keep at a safe
distance from them. They ascended Rue des Martyrs, passed through Rue de
la Tour d'Auvergne, and went down Rue Montholon. Jupillon was talking
earnestly; the cousin said nothing, but listened to Jupillon, and
walked on with the absent-minded air of a woman smelling of a bouquet,
now and then darting a little vague glance on one side or the other--the
glance of a frightened child.
When they reached Rue Lamartine, opposite the Passage des Deux-Soeurs,
they turned. Germinie had barely time to throw herself in at a hall
door. They passed without seeing her. The little one was very serious
and walked slowly. Jupillon was talking into her ear. They stopped for a
moment; Jupillon gesticulated earnestly; the girl stared fixedly at the
pavement. Germinie thought they were about to part; but they resumed
their walk together and made four or five turns, passing back and forth
by the end of the passage. At last they turned in; Germinie darted from
her hiding-place and rushed after them. From the gateway of the passage
she saw the skirt of a dress disappear through the door of a small
furnished lodging-house, beside a wine shop. She ran to the door, looked
into the hall and could see nothing. Thereupon all her blood rushed to
her head, with one thought, a single thought that her lips kept
repeating like an idiot: "Vitriol! vitriol! vitriol!" And as her
thoughts were instantly transformed into the act of which she thought,
and her delirium transported her abruptly to the crime she contemplated,
she said to herself that she would go up the stairs with the bottle well
hidden under her shawl; she would knock at the door very loud and
continuously. He would come at last and would open the door a crack.
She would say nothing to him, not her name even. She would go in without
heeding him. She was strong enough to kill him! and she would go to the
bed, to _her_! She would take her by the arm and say: "Yes it's me--this
is for your life!" And over her face, her throat, her skin, over
Public-domain text, read in full here on John Shaqi.
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