The artist, at least, determined it should go no further. He put on
his hat, and went to find Yossel Mandelstein. But Yossel was not to be
found so easily, and the artist's resolution strengthened with each
false scent. Yossel was ultimately run to earth, or rather to Heaven,
in the _Beth Hamedrash_, where he was shaking himself studiously over
a Babylonian folio, in company with a motley assemblage of youths and
greybeards equally careless of the demands of life. The dusky home of
holy learning seemed an awkward place in which to broach the subject
of love. In a whisper he besought the oscillating student to come
outside. Yossel started up in agitation.
'Ah, your grandmother is dying,' he divined, with what seemed a
lover's inaccuracy. 'I will come and pray at once.'
'No, no, she is not dying,' said Schneemann hastily, adding in a grim
murmur, 'unless of love.'
'Oh, then, it is not about your grandmother?'
'No--that is to say, yes.' It seemed more difficult than ever to
plunge into the delicate subject. To refer plumply to the courtship
would, especially if it were not true, compromise his grandmother
and, incidentally, her family. Yet, on the other hand, he longed to
know what lay behind all this philandering, which in any case _had_
been compromising her, and he felt it his duty as his grandmother's
protector and the representative of the family to ask Yossel straight
out whether his intentions were honourable.
He remembered scenes in novels and plays in which undesirable suitors
were tackled by champions of convention--scenes in which they were
even bought off and started in new lands. Would not Yossel go to a new
land, and how much would he want over and above his fare? He led the
way without.
'You have lived here all your life, Yossel, have you not?' he said,
when they were in the village street.
'Where else shall a man live?' answered Yossel.
'But have you never had any curiosity to see other parts? Would you
not like to go and see Vienna?'
A little gleam passed over Yossel's dingy face. 'No, not Vienna--it is
an unholy place--but Prague! Prague where there is a great Rabbi and
the old, old underground synagogue that God has preserved throughout
the generations.'
'Well, why not go and see it?' suggested the artist.
Yossel stared. 'Is it for that you tore me away from my Talmud?'
'N--no, not exactly for that,' stammered Schneemann. 'Only seeing you
glued to it gave me the idea what a pity it was that you should not
travel and sit at the feet of great Rabbis?'
'But how shall I travel to them? My crutches cannot walk so far as
Prague.'
'Oh, I'd lend you the money to ride,' said the artist lightly.
'But I could never repay it.'
'You can repay me in Heaven. You can give me a little bit of your _Gan
Iden_' (Paradise).
Public-domain text, read in full here on John Shaqi.
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