As the weeks went by, my satisfaction with the progress I was making
was largely tempered by the knowledge that after the completion of my
picture my model would be thrown again on the pavement, and several
times I fancied I detected him gazing at it sadly as if watching its
advancing stages with a sort of hopeless fear. My anxiety about him
and his family grew from day to day, but I could not see any possible
way of helping him. He was touchingly faithful, anxious to please, and
uncomplaining either of cold or hunger. Once I gave him a few
shillings to purchase a second-hand pair of top-boots, which were
necessary for the picture, and these he was able to procure in the
Ghetto Sunday market for a minute sum, and he conscientiously returned
me the balance--about two-thirds.
I happened to have sold an English landscape to Sir Asher Aaronsberg,
the famous philanthropist and picture-buyer of Middleton, then up in
town in connection with his Parliamentary duties, and knowing how
indefatigably he was in touch with the London Jewish charities, I
inquired whether some committee could not do anything to assist
Quarriar. Sir Asher was not very encouraging. The man knew no trade.
However, if he would make application on the form enclosed and answer
the questions, he would see what could be done. I saw that the details
were duly filled in--the ages and sex of his five children, etc.
But the committee came to the conclusion that the only thing they
could do was to repatriate the man. 'Return to Russia!' cried Israel
in horror.
Occasionally I inquired if any plan for the future had occurred to
him. But he never raised the subject of his difficulties of his own
accord, and his very silence, born, as it seemed to me, of the
majestic dignity of the man, was infinitely pathetic. Now and again
came a fitful gleam of light. His second daughter would be given a
week's work for a few shillings by his landlord, a working
master-tailor in a small way, from whom he now rented two tiny rooms
on the top floor. But that was only when there was an extra spasm of
activity. His half-blind daughter would do a little washing, and the
landlord would allow her the use of the backyard.
At last one day I found he had an idea, and an idea, moreover, that
was carefully worked out in all its details. The scheme was certainly
a novel and surprising one to me, but it showed how the art of forcing
a livelihood amid impossible circumstances had been cultivated among
these people, forced for centuries to exist under impossible
conditions.
Public-domain text, read in full here on John Shaqi.
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