He was a strapping young fellow, full of acuteness and vigour--a
marked contrast to Quarriar's drooping, dignified figure standing
silently near by, and radiating poverty and suffering all the more in
the little old panelled room, elegant with a big carved walnut
cabinet, and gay with chromos and stuffed birds. Effusively the
master-tailor painted himself as the champion of the poor fellow, and
protested against this outside partnership that was being imposed on
him by the notorious Conn. He himself, though he could scarcely afford
it, was keeping his cuttings for him, in spite of tempting offers from
other quarters, even of a shilling a sack. But of course he didn't see
why an outsider foisted upon him by a philanthropic factotum should
benefit by this goodness of his. He discoursed to me in moved terms of
the sorrows and privations of his tenants in their two tiny rooms
upstairs. And all the while Quarriar preserved his attitude of
drooping dignity, saying no syllable except under special appeal.
The landlord produced a goblet of rum and shrub for the benefit of the
high-born visitor, and we all clinked glasses, the young master-tailor
beaming at me unctuously as he set down his glass.
'I love company,' he cried, with no apparent consciousness of impudent
familiarity.
I returned, however, to my central interest in life--the
piece-sorting. It occurred to me afterwards that possibly I ought not
to have insisted on such a secular subject on a Jewish holiday, but,
after all, the landlord had broached it, and both men now entered most
cordially into the discussion. The landlord started repeating his
lament--what a pity it would be if Quarriar were really forced to
accept Conn's partner--when Quarriar timidly blurted out that he had
already signed the deed of partnership, though he had not yet received
the promised capital from Conn, nor spoken over matters with the
partner provided. The landlord seemed astonished and angry at learning
this, pricking up his ears curiously at the word 'signed,' and giving
Quarriar a look of horror.
'Signed!' he cried in Yiddish. '_What_ hast thou signed?'
Public-domain text, read in full here on John Shaqi.
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