And, suddenly laying his head on the table, he broke into sobs--sobs that tore at his mother's heart, that were charged with memories of his ancient tears, of the days of paternal wrath and the rending of 'The Pirates of Pechili.' And, again, as in the days when his boyish treasures were changed to ashes, she stole towards him, with an involuntary furtive look to see if S. Cohn's back was turned, and laid her hands upon his heaving shoulders. But he shook her off! 'Why didn't a Boer bullet strike me down?' Then with a swift pang of remorse he raised his contorted face and drew hers close against it--their love the one thing saved from Anglicization. THE JEWISH TRINITY THE JEWISH TRINITY I With the Christian Mayoress of Middleton to take in to dinner at Sir Asher Aaronsberg's, Leopold Barstein as a Jewish native of that thriving British centre, should have felt proud and happy. But Barstein was young and a sculptor, fresh from the Paris schools and Salon triumphs. He had long parted company with Jews and Judaism, and to his ardent irreverence even the Christian glories of Middleton seemed unspeakably parochial. In Paris he had danced at night on the Boule Miche out of sheer joy of life, and joined in choruses over midnight bocks; and London itself now seemed drab and joyless, though many a gay circle welcomed the wit and high spirits and even the physical graces of this fortunate young man who seemed to shed a blonde radiance all around him. The factories of Middleton, which had manufactured Sir Asher Aaronsberg, ex-M.P., and nearly all his wealthy guests, were to his artistic eye an outrage upon a beautiful planet, and he was still in that crude phase of juvenile revolt in which one speaks one's thoughts of the mess humanity has made of its world. But, unfortunately, the Mayoress of Middleton was deafish, so that he could not even shock her with his epigrams. It was extremely disconcerting to have his bland blasphemies met with an equally bland smile. On his other hand sat Mrs. Samuels, the buxom and highly charitable relict of 'The People's Clothier,' whose ugly pictorial posters had overshadowed Barstein's youth. Little wonder that the artist's glance frequently wandered across the great shining table towards a girl who, if they had not been so plaguily intent on honouring his fame, might have now been replacing the Mayoress at his side. True, the girl was merely a Jewess, and he disliked the breed. But Mabel Aaronsberg was unexpected. She had a statuesque purity of outline and complexion; seemed, indeed, worthy of being a creation of his own. How the tedious old manufacturer could have produced this marmoreal prodigy provided a problem for the sculptor, as he almost silently ate his way through the long and exquisite menu.