"You're crying again, Rebecca," protested a dark-eyed, bright-faced
dwarf in excellent English, as she touched her friend's withered hand.
"You are in the blues again. Why, that page is all blistered."
"No--I feel so nice," said the sad-eyed Russian in her quaint musical
accent. "You sall not tink I cry because I am not happy. Ven I read
sad tings--like my life--den only I am happy."
The dwarf gave a short laugh that made her pendent earrings oscillate.
"I thought you were brooding over your love affairs," she said.
"Me!" cried Rebecca. "I lost too young my leg to be in love. No, it is
Psalm eighty-eight dat I brood over. 'I am afflicted and ready to die
from my yout' up.' Yes, I vas only a girl ven I had to go to
Königsberg to find a doctor to cut off my leg. 'Lover and friend hast
dou put far from me, and mine acquaintance into darkness!'"
Her face shone ecstatic.
"Hush!" whispered the dwarf, with a warning nudge and a slight nod in
the direction of a neighbouring waterbed on which a pale, rigid,
middle-aged woman lay, with shut sleepless eyes.
"Se cannot understand Englis'," said the Russian girl proudly.
"Don't be so sure, look how the nurses here have picked up Yiddish!"
Rebecca shook her head incredulously. "Sarah is a Polis' woman," she
said. "For years dey are in England and dey learn noting."
"_Ick bin krank! Krank! Krank!_" suddenly moaned a shrivelled Polish
grandmother--an advanced centenarian--as if to corroborate the girl's
contention. She was squatting monkey-like on her bed, every now and
again murmuring her querulous burden of sickness, and jabbering at
the nurses to shut all the windows. Fresh air she objected to as
vehemently as if it were butter or some other heterodox dainty.
Hard upon her crooning came bloodcurdling screams from the room above,
sounds that reminded the visitor he was not in a "Barnum" show, that
the monstrosities were genuine. Pretty Sister Margaret--not yet
indurated--thrilled with pity, as before her inner vision rose the
ashen perspiring face of the palsied sufferer, who sat quivering all
the long day in an easy-chair, her swollen jelly-like hands resting on
cotton-wool pads, an air-pillow between her knees, her whole frame
racked at frequent intervals by fierce spasms of pain, her only
diversion faint blurred reflections of episodes of the street in the
glass of a framed picture; yet morbidly suspicious of slow poison in
her drink, and cursed with an incurable vitality.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account