Ghost Stories of an AntiquaryJames, M. R. (Montague Rhodes)
General
Ghost Stories of an Antiquary
James, M. R. (Montague Rhodes)
Ghost stories, English; Horror tales, English; Short stories, English
Nisbet was disengaged, and arrived about 9.30. His host was not quite
dressed, I am sorry to say, even at this late hour. During breakfast
nothing was said about the mezzotint by Williams, save that he had a
picture on which he wished for Nisbet’s opinion. But those who are
familiar with University life can picture for themselves the wide and
delightful range of subjects over which the conversation of two Fellows
of Canterbury College is likely to extend during a Sunday morning
breakfast. Hardly a topic was left unchallenged, from golf to
lawn-tennis. Yet I am bound to say that Williams was rather distraught;
for his interest naturally centred in that very strange picture which
was now reposing, face downwards, in the drawer in the room opposite.
The morning pipe was at last lighted, and the moment had arrived for
which he looked. With very considerable—almost tremulous—excitement he
ran across, unlocked the drawer, and, extracting the picture—still face
downwards—ran back, and put it into Nisbet’s hands.
“Now,” he said, “Nisbet, I want you to tell me exactly what you see in
that picture. Describe it, if you don’t mind, rather minutely. I’ll
tell you why afterwards.”
“Well,” said Nisbet, “I have here a view of a country-house—English, I
presume—by moonlight.”
“Moonlight? You’re sure of that?”
“Certainly. The moon appears to be on the wane, if you wish for
details, and there are clouds in the sky.”
“All right. Go on. I’ll swear,” added Williams in an aside, “there was
no moon when I saw it first.”
“Well, there’s not much more to be said,” Nisbet continued. “The house
has one—two—three rows of windows, five in each row, except at the
bottom, where there’s a porch instead of the middle one, and—”
“But what about figures?” said Williams, with marked interest.
“There aren’t any,” said Nisbet; “but—”
“What! No figure on the grass in front?”
“Not a thing.”
“You’ll swear to that?”
“Certainly I will. But there’s just one other thing.”
“What?”
“Why, one of the windows on the ground-floor—left of the door—is open.”
“Is it really so? My goodness! he must have got in,” said Williams,
with great excitement; and he hurried to the back of the sofa on which
Nisbet was sitting, and, catching the picture from him, verified the
matter for himself.
It was quite true. There was no figure, and there was the open window.
Williams, after a moment of speechless surprise, went to the
writing-table and scribbled for a short time. Then he brought two
papers to Nisbet, and asked him first to sign one—it was his own
description of the picture, which you have just heard—and then to read
the other which was Williams’s statement written the night before.
“What can it all mean?” said Nisbet.
Public-domain text, read in full here on John Shaqi.
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