Ghosts I Have Met and Some OthersBangs, John Kendrick
General
Ghosts I Have Met and Some Others
Bangs, John Kendrick
Ghost stories, American; United States -- Social life and customs -- 19th century -- Fiction
It happened last Christmas, in my own home. I had provided as a
little surprise for my wife a complete new solid silver service
marked with her initials. The tree had been prepared for the
children, and all had retired save myself. I had lingered later than
the others to put the silver service under the tree, where its happy
recipient would find it when she went to the tree with the little
ones the next morning. It made a magnificent display: the two dozen
of each kind of spoon, the forks, the knives, the coffee-pot, water
-urn, and all; the salvers, the vegetable-dishes, olive-forks,
cheese-scoops, and other dazzling attributes of a complete service,
not to go into details, presented a fairly scintillating picture
which would have made me gasp if I had not, at the moment when my
own breath began to catch, heard another gasp in the corner
immediately behind me. Turning about quickly to see whence it came,
I observed a dark figure in the pale light of the moon which
streamed in through the window.
"Who are you?" I cried, starting back, the physical symptoms of a
ghostly presence manifesting themselves as usual.
"I am the ghost of one long gone before," was the reply, in
sepulchral tones.
I breathed a sigh of relief, for I had for a moment feared it was a
burglar.
"Oh!" I said. "You gave me a start at first. I was afraid you were a
material thing come to rob me." Then turning towards the tree, I
observed, with a wave of the hand, "Fine lay out, eh?"
"Beautiful," he said, hollowly. "Yet not so beautiful as things I've
seen in realms beyond your ken."
And then he set about telling me of the beautiful gold and silver
ware they used in the Elysian Fields, and I must confess Monte
Cristo would have had a hard time, with Sindbad the Sailor to help,
to surpass the picture of royal magnificence the spectre drew. I
stood inthralled until, even as he was talking, the clock struck
three, when he rose up, and moving slowly across the floor, barely
visible, murmured regretfully that he must be off, with which he
faded away down the back stairs. I pulled my nerves, which were
getting rather strained, together again, and went to bed.
[Illustration: "THEN HE SAT ABOUT TELLING ME OF THE BEAUTIFUL GOLD
AND SILVER WARE THEY USE IN THE ELYSIAN FIELDS."]
_Next morning every bit of that silver-ware was gone_; and, what is
more, three weeks later I found the ghost's picture in the Rogues'
Gallery in New York as that of the cleverest sneak-thief in the
country.
All of which, let me say to you, dear reader, in conclusion, proves
that when you are dealing with ghosts you mustn't give up all your
physical resources until you have definitely ascertained that the
thing by which you are confronted, horrid or otherwise, is a ghost,
and not an all too material rogue with a light step, and a
commodious jute bag for plunder concealed beneath his coat.
"How to tell a ghost?" you ask.
Public-domain text, read in full here on John Shaqi.
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