Darkness falls on the scene. Lescaut is attracted
to the card-players, and joins them quickly in the hopes of adding to
his store of wealth, and Geronte bargains with the innkeeper for a
post-chaise and some swift horses, giving instructions that a lady will
want to pop off very quickly to Paris in a short time. Edmund overhears
this little plot, and discloses it to his friend Des Grieux. A short
characteristic orchestral passage with a changing unrestful rhythm
leads up to Manon's entrance. With a _naïveté_ expressed in the music
she sings, she comes to Des Grieux and tells him that she has kept her
thoughtless promise. In a beautifully phrased impassioned passage Des
Grieux urgently presses his suit. Manon, who continues to hang back a
little, is overcome, and when an interruption from her brother, on whom
the effects of wine is beginning to tell, startles them out of their
ecstatic rapture, she attempts to return to the inn. But Des Grieux
takes her away, and tells her of the plot of the old reprobate to
abduct her, and urges her to escape with himself.
Edmund now tells Geronte of the escape of his prize, and that
disappointed old _roué_ tries to rouse the brother from his lethargy.
Lescaut decides that pursuit is worthless, and suggests following the
pair to Paris, whither he is sure they have gone. Geronte stifles his
fury and goes in to supper, while the students join in with a merry
chorus, laughing at the old man's discomfiture as the act ends.
A few bars of a light tripping measure against a slight accompaniment
of pizzicato chords from the strings opens the second act, the scene
of which shows Manon installed in Geronte's luxurious house in Paris.
Manon's toilette is being finished off by the perruquier, and the
detached remarks and inquiries for the various articles necessary are
musically "popped in" with a skilful hand. The brother comes in, and
while the finishing process is still proceeding, he congratulates his
sister on the transference of her affections from the penniless Des
Grieux to the rich old nobleman. Manon, however, is by no means "off"
with the old love, and in a tender little melody she sings of the
humble dwelling where she and her lover passed a blissful time. Like
so many of Puccini's melodies it begins by a reiteration of a single
note, which gradually spreads itself into a lyrical flow. This works up
into an expressive little duet, in which Manon longs for Des Grieux's
return, and Lescaut promises to make him a successful gamester in order
to gather in the necessary funds.
Public-domain text, read in full here on John Shaqi.
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