New York had seen it, in English, at the American Theatre, in the
previous month. This production, in which the Rodolfo was J. F.
Sheehan; the Mimi, Yvonne de Treville; and the Musetta, Villa Knox,
was by Henry W. Savage's Castle Square Opera Company. It was given in
French at New Orleans in the winter of 1900 by Barrich's Company. It
was first given in Germany at the Ander Wren Theatre, Vienna, Frances
Saville being the Mimi and Franz Naval the Rodolfo.
Coming to the story, which with the music is by this time so familiar
to opera-goers, the composer, in characteristic fashion, plunges us
at once, without scarcely as much as a few bars of prelude, into the
midst of things. At the outset the atmosphere is established by the
restless, vivacious, detached and spirited phrase which, if it hardly
ever assumes the proportions, musically considered, of a leading
theme, at least flavours very strongly the whole musical fabric. It
may well be taken to represent the free unrestrained spirit of the VIE
DE BOHÈME. The curtain rises quickly, and we see an attic, inhabited
by the quartet of gay spirits, those bold adventurers, as Murger calls
them, who are stopped by nothing--rain or dust, cold or heat. Every
day's existence is a work of genius, a daily problem. Now abstemious as
anchorites, now riding forth on the most ruinous fancies, not finding
enough windows whence to throw their money. Truly, as Murger puts it, a
gay life yet a terrible one!
Rodolfo, the poet, gazes pensively out of the window, Marcello, the
artist, is painting the passage of the Red Sea. It is Christmas Eve,
and the cold is bitter: and to keep the stove alight, they burn up a
MS.--a drama--of Rodolfo's.
All through this scene of colloquial and snappy dialogue, the music
runs with remarkable movement. Soon Schaunard the musician comes in. He
has been lucky enough not only to find a job but to get paid for it;
and he tells us it was an Englishman who employed him. He has bought
provisions with the spoil, and they spread the feast, in true Bohemian
fashion, with a newspaper for table cloth. They begin the meal with
light-hearted merriment, when the landlord comes in to collect his much
overdue rent. That worthy is amazed to find his tenants can pay it, and
after taking a glass with them, and chatting about his _amours_, the
four irresponsibles get rid of him. They then decide on a visit to the
café Momus in the Latin quarter, and leave Rodolfo behind for a space,
as he has to finish an article for the _Beaver_. "Be quick, then," says
Marcello, "and cut the _Beaver's_ tale short."
Public-domain text, read in full here on John Shaqi.
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