Giant Hours with Poet PreachersStidger, William L. (William Le Roy)
Religion
Giant Hours with Poet Preachers
Stidger, William L. (William Le Roy)
American poetry -- 20th century -- History and criticism; English poetry -- 20th century -- History and criticism
"Some day this old Broadway shall climb to the skies,
As a ribbon of cloud on a soul-wind shall rise.
And we shall be lifted rejoicing by night,
Till we join with the planets who choir their delight.
The signs in the street and the signs in the skies
Shall make a new Zodiac guiding the wise,
And Broadway make one, with that marvelous stair
That is climbed by the rainbow-clad spirits of prayer."
The Congo.
He looks straight up above the signs to heaven. But he does not forget
to look down also, where the people are, the folks that walk and live
and crawl under the electric signs. In "Galahad, Knight Who Perished"
(a poem dedicated to all crusaders against the international and
interstate traffic in young girls), this phrase rings and rings its way
into Christian consciousness:
"Galahad--knight who perished--awaken again,
Teach us to fight for immaculate ways among men."
The Congo.
And again and again one is rudely awakened from his ease by such lines
as "The leaden-eyed" children of the city which he pictures:
"Not that they starve, but starve so dreamlessly;
Not that they sow, but that they seldom reap;
Not that they serve, but have no gods to serve;
Not that they die, but that they die like sheep."
The Congo.
Who has not seen factory windows in village, town, and city, and who
has not known that "Factory windows are always broken"? How this smacks
of pall, and smoke, and dirt, and grind, and hurt and little weak
children, slaves of industry! Thank God, Vachel Lindsay, that the
Christian Church has found an ally in you; and poet and preacher
together--for they are both akin--pray God we may soon abolish forever
child slavery. Yes, no wonder "Factory windows are always broken." The
children break them because they hate a prison.
The "Coal Heaver," "The Scissors Grinder," "The Mendicant," "The
Tramp," all so smacking of the city, have their interpretation.
I wish in these pages might be quoted all of "The Soul of the City
Receives the Gift of the Holy Spirit," for it daringly, beautifully,
and strongly carries into the new philosophy which Mr. Lindsay is
introducing the thought that every village, every town, every city has
a community soul that must be saved, through Christian influence. But
the ring of it and the swing of it will suggest itself in a few verses:
"Censers are swinging
Over the town;
Censers are swinging,
Look overhead!
Censers are swinging,
Heaven comes down.
City, dead city,
Awake from the dead!
* * * * *
"Soldiers of Christ
For battle grow keen.
Heaven-sent winds
Haunt alley and lane.
Singing of life
In town-meadows green
After the toil
And battle and pain.
* * * * *
Public-domain text, read in full here on John Shaqi.
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