Gideon's Band: A Tale of the MississippiCable, George Washington
General
Gideon's Band: A Tale of the Mississippi
Cable, George Washington
Mississippi River -- Fiction
With such dignity as they could save, the two outcasts fled, meeting and
turning back half the stage company while the actor's wife shut the
door.
"Is she ill?" asked the gaping girls. "Is she ill?"
"Not at all," "No," said the actor and Hugh, right and left, the one
complacent, the other "ironer" than ever. "She is, eh--she, eh----"
Every head was lifted to hearken. The cabin's applause ceased abruptly
for a second or two, or three. Then again there was a stillness broken
only by the speeding of the boat; and then, like a perfume from some
wilderness garden, came the untrained notes of a song, a maiden's song
of her lost German home, and leaning elatedly from the reopened door
Mrs. Gilmore loudly whispered:
"She's on!"
XL
RAMSEY AT THE FOOTLIGHTS
The actor stepped to his wife. "Will she do it all?" he inquired, and
Hugh, who had started to join the audience by a short cross passage,
lingered to hear.
"Heaven knows," laughed the lady, shutting herself out, yet keeping the
door; "I too am banished." Her glance drew Hugh nearer. "Miss Ramsey
begs us, all three----"
"For her to beg is to command," said Gilmore playfully.
"Yes, and so I've promised for all three----"
"Promised! What?"
Mrs. Gilmore whispered: "To pray for her."
The smiling actor and the unsmiling youth looked at each other. "Why,
that's," said Gilmore, "entirely----"
"Practicable," said Hugh. He moved on, and into the passage. Gilmore,
following, stopped at its outer end. At the inner stood Hugh, waiting,
in shadow and with downcast eyes, for the song to be done. What unvoiced
supplication, if any, may have been behind the lips of either was not
for the other to know. Yet it was an hour of formidable besetments and
we may pardon the actor if an actor's self-consciousness moved him to
reflect that there were thousands of healthy men, some as raw as Hugh,
some as ripe as himself, who, for the sake of a promise, a wife or a
maiden, or even without them, standing thus, had prayed.
He tiptoed to the youth's side and together they leaned in enough to
look down the dimmed cabin, over ranks of silhouetted heads, to the
bright stage front and the singer. She was in the centre of its light
and the last notes of her simple song called for so little effort that
they only helped the eye to give itself wholly and instantly to the mere
picture of her, slender, golden, magnified by this sudden outburst into
blossom, and radiant with the tenderness of her words as a flower with
morning dew. The next moment she was bowing and withdrawing, aglow with
gratitude for an applause that came in volume as though for the finish
of a chariot-race, and Hugh saw as plainly as the experienced actor, if
not with as clear a recognition of Mrs. Gilmore's attiring skill, that
the tribute was at least as much to the singer as to the song.
Public-domain text, read in full here on John Shaqi.
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