Gideon's Band: A Tale of the MississippiCable, George Washington
General
Gideon's Band: A Tale of the Mississippi
Cable, George Washington
Mississippi River -- Fiction
The same perception came to Ramsey in the stateroom to which she had
returned and in which she stood alone, hearkening and trembling. She
noiselessly laughed for joy to be, however unworthily, the daughter of
Gideon Hayle, never doubting it was for his name, his blood, his
likeness, she stood thus approved. The conviction gave her better heart
for the task yet before her. She glided to the rear door, locked it, and
dropped to her knees.
"Oh, Lord 'a' mercy!" she murmured. "Oh, Basile, my brother! And oh,
mom-a, dear, brave mom-a!" She did not name her father, though his
figure was central in her imagination, broad, overtowering, intrepid,
imperious.
The applause persisted. Now it sank but at once it rose again, easy
overflow of a popular mind glad of all unrestraint and always ready--as
even she discerned--for the joy of exaggeration. She sprang up and moved
toward it, her eyes sparkling responsively. Yet her tremor was piteous
and in mute thought she said again, at high speed:
"My brother, oh, my brother! I'll be back in a minute. This ain't for my
own silly self, you know, honey. It's for them that need it; for all the
people, up stairs and down, and for--for the boat!--as any of
her--owners--would do for any of our boats. You said you wished _you_
could do some fine thing for somebody--in a fire--or explosion, and this
is just as awful only not so sudden, and I'm doing this in your place,
honey boy; yes, I am, this is just as if you did it yourself!"
The applause was still summoning her as she ended. A hand, probably Mrs.
Gilmore's, had tried the locked door. From the lower deck leaked up the
sad "peck, peck" of the carpenter driving his nails, and close outside
the door sounded sharp footsteps and the mingled voices of the pilot's
cub and the actor calling with suppressed vehemence to one of the
pantrymen: "Here, boy! Here! Go below like a shot and tell 'Chips' to
stop that pounding this instant! He can saw if he must but he mustn't
hammer!"
Then as if carried there by some force not her own she found herself
again in the bewildering sheen of the footlights, smiling merrily to the
hushed, half-seen assemblage, and suddenly aware of every throb of the
_Votaress's_ bosom, every fall of her winged feet, every tinkle of her
cabin's candelabra, and, most vivid of all, horribly out of time with
all, the still insistent "rap, tap, tap" of the carpenter's hammer.
Public-domain text, read in full here on John Shaqi.
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