Gideon's Band: A Tale of the MississippiCable, George Washington
General
Gideon's Band: A Tale of the Mississippi
Cable, George Washington
Mississippi River -- Fiction
The flood beneath them was up to the wharf's flooring, yet their low,
light-draught hulls, with the freight decks that covered them doubled in
carrying room by their widely overhanging freight guards, were hid by
the wilderness of goods on shore. Hid also were their furnaces, boilers,
and engines on the same deck, sharing it with the cargo. But all their
gay upper works, so toplofty and frail, showed a gleaming white front to
the western sun. You marked each one's jack-staff, that rose mast high
from the unseen prow, and behind it the boiler deck, high over the
boilers. Over the boiler deck was the hurricane roof, above that the
officers' rooms, called the "texas." Above the texas was the
pilot-house, and on either side, well forward of the pilot-house and
towering abreast of each other and above all else--higher than the two
soaring derrick posts at the two forward corners of the passenger and
hurricane decks, higher even than the jack-staff's peak--stood the two
great black chimneys.
And what a populace teemed round and through all! Here was the Creole,
there the New Englander. Here were men of oddest sorts from the
Missouri, Ohio, and nearer and farther rivers. Here were the Irishman,
the German, the Congo, Cuban, Choctaw, Texan, Sicilian; the Louisiana
sugar-planter, the Mississippi cotton-planter, goat-bearded raftsmen
from the swamps of Arkansas, flatboatmen from the mountains of Tennessee
and Kentucky; the horse trader, the slave-driver, the filibuster, the
Indian fighter, the circus rider, the circuit-rider, and men bound for
the goldfields of California.
More than half the boats, this April afternoon, flew from the jack-staff
of each, to signify that it was her day to leave, a streaming burgee
bearing her name. A big-lettered strip of canvas drawn along the front
guards of her hurricane-deck told for what port she was "up," and the
growing smoke that swelled from her chimneys showed that five was her
time to back out.
In the midst of the scene, opposite the head of Canal Street--the
streets that run to the New Orleans levee run up-hill and get there head
first--lay a boat which specially belongs to this narrative. A pictorial
poster, down in every cafe and hotel rotunda of the town, called her
"large, new, and elegant," and such she was in fair comparison with all
the craft on all the sixteen thousand navigable miles of the vast river
and its tributaries. Her goal was Louisville, more than thirteen hundred
miles away. Her steam was up, a velvet-black pitch-pine smoke billowed
from her chimneys, and her red-and-white burgee, gleaming upon it, named
her the _Votaress_.
II
THE "VOTARESS"
Her first up-river trip! The crowd waiting on the wharf's apron to see
her go was larger and included better types of the people than usual,
for the _Votaress_ was the latest of the Courteney fleet, hence a rival
of the Hayle boats, the most interesting fact that could be stated of
anything afloat on Western waters.
Public-domain text, read in full here on John Shaqi.
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