This odd demonstration is followed by a succession of optical
questions, which are discussed and answered in true scholastic style,
with no little acuteness of observation. Thus: "_Utrum visus fiat
intus suscipiendo?_" Is vision accomplished by something received into
the eye? "_Utrum color fit de nocte?_" Does color exist at night? To
the latter question Gilbert replies that in the darkness color exists
in posse, but not in esse. Again: "Why do some animals see at night,
some in the day only and some only in the twilight?" This phenomenon
he ascribes to "the clearness and subtilty of the visual spirits, or
to the strength, weakness, grossness or turbidity of the organs of
vision." Some animals, he says, have (visual) spirits, subtle and
clear as fire, and these animals see perfectly at night because the
visual spirits (_spiritus visibilis_) are sufficient to illuminate the
external air. "Why do objects in water seem nearer than those in air?"
Gilbert explains this as follows: "Nothing appears distant, except as
perceived through an extensive intervening medium. But our judgment
is largely guided by the transparency of this medium, since the
medium itself is not perceived with much accuracy, except when it
is transparent. Accordingly, as the lucidity of air is greater than
that of water, an object looks more distant through air than through
water."
"Why does not a single object appear double, inasmuch as we have two
eyes?" To this he replies: "From the anterior part of the brain two
optic nerves pass to the two eyes. But these two nerves unite at a
certain point into one. Now, since the two nerves are of equal length,
two images proceeding from a single object do not make the object
seem double, but single, since the two images are united into one, and
accordingly one object is seen as one image."
Other physiological speculations are introduced by the questions: "May
one see an object not actually present?" "Why do some animals see best
objects at a distance, others those near at hand?" "Why are objects
seen in their proper position?" All these questions are answered in
accordance with the scholastic formulae, and, not infrequently, with
considerable acuteness.
A chapter entitled "_De signis oculorum_" also introduces us to a
curious discussion of ocular physiognomy. Thus:
"When we see a man with large eyes, we argue that he is indolent."
"If his eyes are deeply situated in his head, we say that he is crafty
and a deceiver."
"If his eyes are prominent, we say that he is immodest, loquacious and
stupid."
"He whose eyes are mobile and sharp is a deceiver, crafty and a
thief."
"He whose eyes are large and tremulous is lazy and a braggart
(_spaciosus?_), and fond of women."
and so forth for an entire page of the Compendium.
Public-domain text, read in full here on John Shaqi.
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