Giles Corey, Yeoman: A PlayFreeman, Mary Eleanor Wilkins
History
Giles Corey, Yeoman: A Play
Freeman, Mary Eleanor Wilkins
American drama -- 19th century
_Parris._ Verily the devil hath played into our hands. [_They turn
to leave._
_Hutchins._ Oh, your worships, ye will use good speed for the sake
of my poor child.
_Giles._ Ay, be speedy about it. Put the baggage in prison as soon
as may be, and load her down well with irons.
_Hathorne._ I will strive to obey your commands well, Goodman
Corey. Good-day, Widow Hutchins; your daughter shall soon find
relief.
_Parris._ Good-day, Widow Hutchins, and be of good cheer.
[_Exeunt_ Hathorne _and_ Parris, _while_ Widow Hutchins
_courtesies._
_Giles._ Well, I must even be going too. I have my cattle to water.
I but bolted in when I heard the poor lass screech, thinking I might
do somewhat. But good Master Hathorne will see to it. Hear that! Do
ye go up to her, widow, and mix her up a bowl of yarb tea, till they
put the trollop in prison. I'm off to water my cattle, then devil
take me if I don't give the sheriffs a hand if they need it. Goody
Osborn's house is nigh mine. Good-day, widow. [_Exit_ Giles.
_Hutchins_ (_laughing_). Give the sheriffs a hand, will he?
Perchance he will, but I doubt me if 'tis not a fisted one. He sets
his life by Goody Corey, however he rate her. (_A scream from above
of_ "Mother! Mother!") Yes, Ann, I'm coming, I'm coming! [_Exit._
_Phoebe_ (_crawls out from under the bed_). Now, Nancy, we've got a
chance to run. Come out, quick! Oh, if Uncle Corey had caught us
here!
_Nancy._ I can't get out. Oh! oh! The rheumatiz stiffened me so I
couldn't double up, and now it has stiffened me so I can't undouble.
No, 'tis not rheumatiz, 'tis Goody Bishop has bewitched me. I can't
get out.
_Phoebe._ You must, Nancy, or some body 'll come and catch us.
Here, I'll pull you out.
[_Tugs at_ Nancy's _arms, and drags her out, groaning._
_Nancy._ Here I am out, but I can't undouble. I'll have to go home
on all-fours like a cat. Oh! oh!
_Phoebe._ Give me your hands and I'll pull you up. Think you 'tis
witchcraft, Nancy?
_Nancy._ I know 'tis. 'Tis Goody Bishop in her fine silk hood
afflicts me. Oh, massy!
_Phoebe._ There, you are up, Nancy.
_Nancy._ I ain't half undoubled.
_Phoebe._ You can walk so, can't you, Nancy? Oh, come, quick! I
think I hear somebody on the stairs. (_Catches up her doll and
seizes_ Nancy's _hand._) Quick! quick!
_Nancy._ I tell ye I can't go quick; I ain't undoubled enough.
Devil take Goody Bishop!
[_Exit, hobbling and bent almost double,_ Phoebe _urging her along.
Curtain falls._
Act III.
_The Meeting-house in Salem Village. Enter_ People of Salem Village
_and take seats. The_ Afflicted Girls, _among whom are_ Ann Hutchins
_and_ Mercy Lewis, _occupy the front seats._ Nancy Fox _and_
Phoebe. _Enter the magistrates_ John Hathorne _and_ Jonathan Corwin
_with_ Minister Parris, _escorted by the_ Marshal, Aids, _and four_
Constables. _They place themselves at a long table in front of the
pulpit._
Public-domain text, read in full here on John Shaqi.
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