Giles Corey, Yeoman: A PlayFreeman, Mary Eleanor Wilkins
History
Giles Corey, Yeoman: A Play
Freeman, Mary Eleanor Wilkins
American drama -- 19th century
_Hathorne._ You are not here to go to prayer. I much fear that your
many prayers have been to your master, the devil. Constables, bring
forward the body of the accused.
[Afflicted Girls _shriek._ Constables _lead_ Olive _forward._
Martha _is led to one side._
_Martha._ Be of good cheer, dear child.
_Giles._ Yes, be not afraid of them, lass; thy father is here.
_Hathorne._ Silence! Olive Corey, why do you so afflict these other
maids?
_Olive._ I do not, your worship.
_Ann._ She is looking at me. Oh, bid her look away, or she will
kill me!
_Olive._ Oh, Ann, I do not! What mean you, dear Ann?
_Hathorne._ I charge you, Olive Corey, keep your eyes upon the
floor.
_Giles._ Look where you please, lass, and thy old father will
uphold thee in it; and I only wish your blue eyes could shoot pins
into the lying hussies.
_Hathorne._ Goodman, an ye disturb the peace again, ye shall be
removed from court. Ann Hutchins, you have seen this maid hurt you?
_Ann._ Many a time she hath hurt me nigh to death.
_Olive._ Oh, Ann, I hurt thee?
_Ann._ There is a flock of yellow birds around her head.
[Olive _moves her head involuntarily, and looks up._
_Afflicted Girls._ See her look at them!
_Hathorne._ What say you to that, Olive?
_Olive._ I did not see them.
_Hathorne._ Ann Hutchins, did you see this maid walking in the wood
with a black man last week?
_Ann._ Yes, your worship.
_Hathorne._ How did he go?
_Ann._ In black clothes, and he had white hair.
_Hathorne._ How went the accused?
_Ann._ She went in her flowered petticoat, and the flowers stood
out, and smelt like real ones; her kerchief shone like a cobweb in
the grass in the morning, and gold sparks flew out of her hair.
Goody Corey fixed her up so with her devilish arts to trap Paul
Bayley.
_Hathorne._ What mean you?
_Ann._ To trap the black man, your worship. I knew not what I said,
I was in such torment.
_Hathorne._ Olive Corey, did your mother ever so change your
appearance by her arts?
_Olive._ My mother hath no arts, your worship.
_Ann._ Her cheeks were redder than was common, and her eyes shone
like stars.
_Hathorne._ Olive, did your mother so change your looks?
_Olive._ No, your worship; I do not know what Ann may mean. I fear
she be ill.
_Hathorne._ Mercy Lewis, did you see Olive Corey with the black
man?
_Mercy._ Yes, your worship; and she called out to me to go with
them to the dance, and I should have the black man for a partner;
and when I would not she afflicted me, pulling my hair and pinching
me.
_Hathorne._ How appeared she to you?
_Mercy._ She was dressed like a puppet, finer than I had ever seen
her.
_Hathorne._ Olive, what did you wear when you walked with the black
man?
_Olive._ Your worship, I walked with no black man.
_Ann._ There he is now, standing behind her, looking over her
shoulder.
_Hathorne._ What say you to that, Olive?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account