Giles Corey, Yeoman: A PlayFreeman, Mary Eleanor Wilkins
History
Giles Corey, Yeoman: A Play
Freeman, Mary Eleanor Wilkins
American drama -- 19th century
_Olive._ You be all unstrung by your walk hither through the wood,
Ann. I'll fold the cape up nicely for you, and you can take it when
you go home. And mind you wear it next Sabbath day, sweet. Now I
must to my wheel again, or I shall not finish my stint by nine
o'clock.
_Ann._ Your looks show that you were up later than nine o'clock
last night.
_Phoebe._ Oh, Ann, did you see the light in the fore room?
_Ann._ That did I. I stood at my chamber and saw it shine through
the wood.
_Nancy._ You couldn't see so far without spectacles.
_Ann._ It blinded me. I could get no sleep.
_Nancy._ You think your eyes are mighty sharp. Maybe your ears are
too? Maybe you heard 'em kissing at the door when he went home?
_Olive._ Nancy, be quiet!
_Nancy._ You needn't color up and shake your head at me, Olive.
They stood kissing there nigh an hour, and he with his arm round her
waist, and she with hers round his neck. They'd kiss, then they'd
eye each other and kiss again. I know I woke up and thought 'twas
Injuns, and I peeked out of my chamber window. Such doings! You'd
ought to have seen 'em, Ann.
_Phoebe._ Oh, Nancy, why didn't you wake me up?
_Olive._ Nancy, I'll have no more of this.
_Nancy._ That's what she ought to have said last night--hadn't she,
Ann? But she didn't. Oh, I'll warrant she didn't! I know you would,
Ann.
_Olive._ Nancy! [_A noise is heard outside._
_Phoebe._ Oh, what's that noise? What is coming?
_Enter_ Giles Corey, _panting. He flings the door to violently and
slips the bolt._
_Nancy._ Massy! what's after ye?
_Phoebe._ Oh, Uncle Corey, what's the matter?
_Giles._ The matter is there be too many evil things abroad
nowadays for a man to be out after nightfall. When things that can
be hit by musket balls lay in wait, old Giles Corey is as brave as
any man; but when it comes to devilish black beasts and black men
that musket balls bound back from--What! you here, Ann Hutchins?
What be you out after dark for?
_Ann._ I came over to see Olive, Goodman Corey.
_Giles._ You'd best stayed by your own hearth if you've got one.
Young women have no call to be out gadding after dark in these
times.
_Phoebe._ Oh, Uncle Corey, something did frighten Ann as she came
through the wood. A black beast, with horns and a tail and eyes like
balls of fire, jumped out of the bushes at her, and bade her sign
the book in a dreadful voice.
_Giles._ What! Was't so, Ann?
_Ann._ I know not. There was something.
_Olive_ (_laughing_). 'Twas naught but Ann's own shadow that her
fear gave a voice and a touch to. Say naught to frighten Ann,
father; she is the most timorous maid in Salem Village now.
_Giles._ There is some wisdom in fear nowadays. You make too light
of it, lass.
_Olive_ (_laughing_). Nay, father, I'll turn to and hang up my own
shadow in the chimbly-place for a witch, an you say so.
_Giles._ This be no subject for jest. Said you the black beast
spoke to you, Ann?
Public-domain text, read in full here on John Shaqi.
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