With four putti climbing over a circular balcony, seen in steep perspective, and covered with beautiful vine leaves and flowers. This is said to have been painted by Giorgione in the last year of his life (1510) for the Palace of Grimani, Patriarch of Aquileia. Admirably preserved, and most likely a genuine work. TEMPLE NEWSAM, COLLECTION OF THE HON. MRS MEYNELL-INGRAM. PORTRAIT OF A MAN. Traditionally ascribed to Titian. Just under life-size; he holds a black hat. Blue-black silk dress with sleeve of pinky red and golden brown gloves. Dark auburn hair. Dark grey marble wall behind. In excellent preservation. (See p. 86.) COLLECTION OF SIR CHARLES TURNER. THE ADULTERESS BEFORE CHRIST. A free Venetian repetition, perhaps based on an alternative design for the Glasgow picture. (See p. 104.) FRANCE. LOUVRE. FÊTE CHAMPÊTRE, or PASTORAL SYMPHONY. Canvas, 3 ft. 8 in. x 4 ft. 9 in. _Said to have been in Charles I. Collection, and sold to Louis XIV. by Jabuch._ (See p. 39.) HOLY FAMILY AND SAINTS CATHERINE AND SEBASTIAN, WITH DONOR. Wood, 3 ft. 4 in. x 4 ft. 6 in. Perhaps left incomplete by Giorgione at his death, and finished by Sebastiano del Piombo. (See p. 105.) _From Charles I. Collection._ GERMANY. BERLIN GALLERY. PORTRAIT OF A YOUNG MAN. _Acquired from Dr. Richten_ (See p. 30.) BERLIN, COLLECTION OF HERR VON KAUFFMANN. STA. GIUSTINA. A small seated figure with the unicorn. Recently acquired at Cologne, and known to the writer only by photograph and description, but tentatively accepted as genuine. DRESDEN GALLERY. VENUS. Canvas, 3 ft. 7 in. x 5 ft. 10 in. [No. 185.] Formerly catalogued as a copy by Sassoferrato after Titian. Restored by Morelli to Giorgione, and universally accepted as such. Mentioned by the Anonimo and Ridolfi, and said to have been completed by Titian. (See p. 35.) THE HOROSCOPE. Canvas, 4 ft. 5 in. x 6 ft. 2 in. Copy after a lost original. C. and C. suggest Girolamo Pennacchi as possible author. It bears the Este arms. _From the Manfrini and Barker Collections._ (See _Gazette des Beaux Arts_, 1884, tom. xxx. p. 223.) JUDGMENT OF PARIS. Canvas, 1 ft. 9 in. x 2 ft. 3 in. One of several copies of a lost original. [See under British Isles--Heron Court.] ITALY BERGAMO, GALLERY. ORPHEUS AND EURYDICE. Wood, 1 ft. 3 in, x 1 ft. 9 in. [No. 179, Lochis section.] (See p. 89.) MADONNA AND CHILD. Wood, 1 ft. 3 in. x 1 ft. 6 in. [No. 232, Lochis section, as "Titian."] The composition is very similar to Mr. Benson's "Madonna and Child" (_q.v._). (See p. 101.) THE ADULTERESS BEFORE CHRIST. 4 ft. 11 in. x 7 ft. 3 in. [No. 26, Carrara section.] Later copy, with slight variations, of the Glasgow picture, Ascribed to Cariani, and in a dirty state. (See p. 104.) CASTELFRANCO, DUOMO. MADONNA AND CHILD ENTHRONED, SS. LIBERALE AND FRANCIS BELOW. Wood, 7 ft. 6 in. x 4 ft. 10 in. (See p. 7.) FLORENCE, PITTI GALLERY. THE CONCERT. Canvas, 3 ft. 10 in. x 7 ft. 4 in. [No. 185.]