Described by Ridolfi and Boschini. An old copy is at Hyde Park House, another in the Palazzo Doria, Rome. (See p. 49.) THE THREE AGES. Wood, 3 ft. 8 in. x 5 ft. 4 in. [No. 157.] By C. and C. ascribed to Lotto, by Morelli to Giorgione. (See p. 42.) NYMPH AND SATYR. Canvas. [No. 147.] (See p. 44.) FLORENCE, UFFIZI GALLERY. TRIAL OF MOSES, or ORDEAL BY FIRE. Canvas. Figures one-eighth life-size. [No. 621.] _From Poggio Imperiale._(See p. 15.) JUDGMENT OF SOLOMON. Companion piece to last. Wood. [No. 630.] (See p. 15.) KNIGHT OF MALTA. Canvas. Bust, life-size. [No. 622.] The letters XXXV probably refer to the man's age. Mr. Dickes (_Magazine of Art_, April 1893) thinks he is Stefano Colonna, who died 1548. (See p. 19.) MILAN, CRESPI COLLECTION. PORTRAIT OF CATERINA CORNARO. Canvas, 3 ft. 11 in. x 3 ft. 2 in. _From the Alessandro Martinengo Gallery, Brescia (1640), thence to Collection Francesco Riccardi, Bergamo, where C. and C. saw it in 1877._ They state it was engraved in the line series of Sala. It has been known traditionally both as Caterina Cornaro and "La Schiavona." (See p. 74.) In the signature T.V. it is clear that the V represents the last letter but one in TITIANVS. The first three letters can just be made out. There are many _pentimenti_ on the marble parapet, which seems to have been painted over the dress. PADUA, GALLERY. Two _cassone_ panels with mythological scenes. Wood, about 4 ft. x 1 ft. each. [Nos. 416, 417.] (See p. 56.) Two very small panels with mythological scenes, one representing LEDA AND THE SWAN. Wood, about 5 in. x 3 in. each. [Nos. 42, 43.] (See p. 90.) ROME, BORGHESE GALLERY. PORTRAIT OF A LADY. Canvas, 3 ft. 2 in. x 2 ft. 6 in. (See p. 33.) NATIONAL GALLERY, PAL. CORSINI. S. GEORGE AND THE DRAGON. _Recently acquired._ (Tentatively accepted from the photograph. See p. 91.) ROVIGO, GALLERY. MADONNA AND CHILD. [NO. 2.] Repetition by Titian of Giorgione's original at Vienna (See p. 98.) A SMALL SEATED FIGURE. DANAE? [No. 156.] Copy of a missing original. VENICE, ACADEMY. STORM AT SEA CALMED BY S. MARK. Wood, 11 ft. 8 in. x 13 ft. 6 in. [No. 516.] _From the Scuola di S. Marco_, where it was companion piece to Paris Bordone's "Fisherman and Doge." Ascribed by Vasari to Palma Vecchio, by Zanetti to Giorgione. Too damaged to admit of definite judgment. (See p. 55.) THREE FIGURES. Half-lengths; a woman fainting, supported by a man; another behind. Modern copy by Fabris of apparently a missing original. Can this be the picture mentioned by C. and C. as in the possession of the King of Holland? (C. and C. ii. 149, note.) _Cf_. also, Notes to Sansoni's _Vasari_, iv. p. 104. Another version is at Buckingham Palace (_q.v_.), but it differs in detail from this copy. SEMINARIO. APOLLO AND DAPHNE. _Cassone_ panel. Wood. Small figures, much defaced. (See p. 34.) CHURCH OF SAN ROCCO. CHRIST BEARING THE CROSS. Panel. Busts large as life. About 3 ft. x 2 ft.