[171] I have quoted Titian's letter in full in the _Nineteenth Century_. That of the Spanish Consul is given in the _Jahrbuch der Sammlungen des A.H. Kaiserhauses_, vii. p. 221, from which I extract the passage: "El dicho Ticiano besa pies y manos de V.M., y suplica umilmente a V.M. mande le sea pagado lo que le ha corrido de las pensiones de que V.M. le tiene echo merced en Milan y en esa corte, y la trata de Napoles, y con los 85 años de su edad servira a V.M. hasta la muerte." [172] I have quoted this letter also in full in the _Nineteenth Century._ I am indebted to M. Salomon Reinach for making this point (_Chronique des Arts_, Feb. 15, 1902, p. 53, where he expresses himself a convert to my views). CATALOGUE OF THE WORKS OF GIORGIONE ARRANGED ACCORDING TO THE GALLERIES IN WHICH THEY ARE CONTAINED AUSTRIA-HUNGARY BUDA-PESTH GALLERY. PORTRAIT OF A YOUNG MAN. [No. 94.] _Esterhazy Collection_. (See p. 31.) TWO FIGURES STANDING. [No. 95.] Copy of a portion of Giorgione's lost picture of the "Birth of Paris." These are the two shepherds. (See p. 46.) The whole composition was engraved by Th. von Kessel for the _Theatrum pictorium_ under Giorgione's name. The original picture was seen and described by the Anonimo in 1525. VIENNA GALLERY. EVANDER AND HIS SON PALLAS SHOWING TO AENEAS THE FUTURE SITE OF ROME. Canvas, 4 ft. x 4 ft. 8 in. [No. 16.] Seen by the Anonimo in 1525, in Venice, and said by him to have been finished by Sebastiano del Piombo. (See p. 12.) _Collection of the Archduke Leopold William, and registered in the inventory of_ 1659. ADORATION OF THE SHEPHERDS, or NATIVITY. Wood, 3 ft. x 3 ft. 10 in. [No. 23.] Inferior replica by Giorgione of the Beaumont picture in London. I have sought to identify this piece with the picture "da una Nocte," painted by Giorgione for Taddeo Contarini. (See p. 24 and Appendix, where the original document is quoted.) _From the Collection of the Archduke Leopold William, and registered in the inventory of 1659 as a Giorgione._ VIRGIN AND CHILD. Wood, 2 ft. 2 in. x 2 ft. 9 in. [No. 176.] Known as the "Gipsy Madonna," and ascribed to Titian. _Collection of the Archduke Leopold William._ (See p. 97.) PORTRAIT OF A MAN. Canvas, 3 ft. 5 in. x 2 ft. 9 in. [No. 167.] Commonly, though erroneously, called "The Physician Parma," and ascribed to Titian. _Collection of the Archduke Leopold William._ (See p. 87.) DAVID WITH THE HEAD OF GOLIATH. Wood, 2 ft. 2 in. x 2 ft. 6 in. [No. 21.] Copy after a lost original, which is thus described by Vasari: "A David (which, according to common report, is a portrait of the master himself) with long locks, reaching to the shoulders, as was the custom of that time, and the colouring is so fresh and animating that the face appears to be rather real than painted; the breast is covered with armour, as is the arm with which he holds the head of Goliath."