_This picture was at that day in the house of the Patriarch of Aquileia; the copy can be traced back to the Collection of the Archduke Leopold William at Brussels._ (See p. 48.) Herr Wickhoff, however, seems to think that, were the repaints removed, the Vienna picture might prove to be Giorgione's original painting. See Berenson's _Study and Criticism of Italian Art_, vol. i. p. 74, note. BRITISH ISLES LONDON, NATIONAL GALLERY. ADORATION OF THE MAGI, or THE EPIPHANY. Panel. 12 in. x 2 ft. 8 in. [No. 1160.] _From the Leigh Court sale, 1884._ (See p. 53.) UNKNOWN SUBJECT, possibly THE GOLDEN AGE. Panel. 1 ft. 11 in. x 1 ft. 7 in. [No. 1173.] Now catalogued as "School of Barbarelli." (See p. 91.) _Purchased in 1885 at the sale of the Bohn Collection as a Giorgione. Formerly in the Aldobrandini Palace, Rome, where it was bought by Mr. Day for the Marquis of Bristol, but afterwards sold at Christie's to Mr. White, and by him for £73.10s. to Bohn._ PORTRAIT OF A MAN, possibly PROSPERO COLONNA. Transposed in 1857 from wood to canvas, 2 ft. 8 in. x 2 ft. [No. 636.] Catalogued as "Portrait of a Poet," by Palma Vecchio. _Formerly in possession of Mr. Tomline, and purchased in 1860 from M. Edmond Beaucousin at Paris._ It was then called the portrait of Ariosto by Titian. (See p. 81.) A KNIGHT IN ARMOUR, probably S. LIBERALE. Wood, 1 ft. 3 in. x 10 in. [No. 269.] _Formerly in the Collection of Benjamin West, P.R.A., and bequeathed to the National Gallery by Mr. Samuel Rogers in 1855._ (See p. 20.) VENUS AND ADONIS. Canvas, 2 ft. 6 in. x 4 ft. 4 in. [No. 1123.] Catalogued as "Venetian School," and more recently as "School of Giorgione." _Purchased in 1882 as a Giorgione at the Hamilton Palace sale._ (See p. 94.) GLASGOW GALLERY. THE ADULTERESS BEFORE CHRIST. Canvas, 4 ft. 6 in. x 5 ft. 11 in. [No. 142.] _Ex M'Lellan Collection._ (See p. 102.) TWO MUSICIANS. Panel. 1 ft. 9 in. x 1 ft. 4 in. [No. 143.] Recently attributed to Campagnola. Said to be Titian and Giorgione, playing violin and violoncello. The former attribution to Giorgione is probably correct. _Graham-Gilbert Collection._ New Gallery, Venetian Exhibition, 1895. [No. 99.] HAMPTON COURT. SHEPHERD BOY. Canvas, 1 ft. 11 in. x 1 ft. 8 in. [No. 101.] _From Charles I. Collection_, where it was called a Giorgione. (See p. 49 for a suggestion as to its possible authorship.) BUCKINGHAM PALACE. THREE FIGURES. Half-length; two men, and a woman fainting. Canvas, 2 ft. 5 in. x 2 ft. 1 in. Ascribed to Titian, but probably derived from a Giorgione original. Other versions are said (C. and C. ii. 149) to have been at the Hague and in the Buonarroti Collection at Florence. The London picture is so damaged and repainted, although still of splendid colouring, as to preclude all certainty of judgment. _Formerly in Charles I. Collection._ MR. WENTWORTH BEAUMONT'S COLLECTION. ADORATION OF THE SHEPHERDS, or NATIVITY. Wood, 3 ft. 6 in. x 2 ft. (about).