Giotto and his works in Padua: An Explanatory Notice of the Series of Woodcuts Executed for the Arundel Society After the Frescoes in the Arena ChapelRuskin, John
History
Giotto and his works in Padua: An Explanatory Notice of the Series of Woodcuts Executed for the Arundel Society After the Frescoes in the Arena Chapel
Ruskin, John
Cappella degli Scrovegni nell'Arena (Padua, Italy); Giotto, 1266?-1337; Mural painting and decoration -- Italy -- Padua
"Then Joachim, in the following night, resolved to separate himself
from companionship; to go to the desert places among the mountains,
with his flocks; and to inhabit those mountains, in order not to hear
such insults. And immediately Joachim rose from his bed, and called
about him all his servants and shepherds, and caused to be gathered
together all his flocks, and goats, and horses, and oxen, and what
other beasts he had, and went with them and with the shepherds into
the hills; and Anna his wife remained at home disconsolate, and
mourning for her husband, who had departed from her in such sorrow."
(MS. Harl.)
"But upon inquiry, he found that all the righteous had raised up seed
in Israel. Then he called to mind the patriarch Abraham,--how that God
in the end of his life had given him his son Isaac: upon which he was
exceedingly distressed, and would not be seen by his wife; but
retired into the wilderness and fixed his tent there, and fasted forty
days and forty nights, saying to himself, 'I will not go down to eat
or drink till the Lord my God shall look down upon me; but prayer
shall be my meat and drink.'" (Protevangelion, chap. i.)
Giotto seems here also to have followed the ordinary tradition, as he
has represented Joachim retiring unattended,--but met by two of his
shepherds, who are speaking to each other, uncertain what to do or how
to receive their master. The dog hastens to meet him with joy. The
figure of Joachim is singularly beautiful in its pensiveness and slow
motion; and the ignobleness of the herdsmen's figures is curiously
marked in opposition to the dignity of their master.
* * * * *
III.
THE ANGEL APPEARS TO ANNA.
"Afterwards the angel appeared to Anna his wife, saying, 'Fear not,
neither think that which you see is a spirit. For I am that angel who
hath offered up your prayers and alms before God, and am now sent to
tell you that a daughter will be born unto you.... Arise, therefore,
and go up to Jerusalem; and when you shall come to that which is
called the Golden Gate (because it is gilt with gold), as a sign of
what I have told you, you shall meet your husband, for whose safety
you have been so much concerned.'" (Gospel of St. Mary, chap. iii.
1-7.)
The accounts in the Protevangelion and in the Harleian MS. are much
expanded: relating how Anna feared her husband was dead, he having
been absent from her five months; and how Judith, her maid, taunted
her with her childlessness; and how, going then into her garden, she
saw a sparrow's nest, full of young, upon a laurel-tree, and mourning
within herself, said, "I am not comparable to the very beasts of the
earth, for even they are fruitful before thee, O Lord.... I am not
comparable to the very earth, for the earth produces its fruits to
praise thee. Then the angel of the Lord stood by her," &c.
Public-domain text, read in full here on John Shaqi.
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