Giphantia: Or a View of What Has Passed, What Is Now Passing, and, During the Present Century, What Will Pass, in the World. — John Shaqi
Giphantia: Or a View of What Has Passed, What Is Now Passing, and, During the Present Century, What Will Pass, in the World.Tiphaigne de La Roche, Charles-François
Philosophy
Giphantia: Or a View of What Has Passed, What Is Now Passing, and, During the Present Century, What Will Pass, in the World.
Scarce had the Prefect said these words; when a folding-door opened on
our right, and let us into an immense Gallery, where my wonder was
turned into amazement.
On each side, above two hundred windows let in the light to such a
degree, that the eye could hardly bear its splendor. The spaces between
them were painted with that art, I have just been describing. Out of
each window, was seen some part of the territory of the elementary
spirits. In each picture, appeared woods, fields, seas, nations, armies,
whole regions; and all these objects were painted with such truth, that
I was often forced to recollect myself, that I might not fall again into
illusion. I could not tell, every moment, whether what I was viewing out
of a window was not a painting, or what I was looking at in a picture
was not a reality.
Survey with thy eyes (said the Prefect) survey the most remarkable
events that have shaken the earth and decided the fate of men. Alass!
what remains of all these powerful springs, of all these great exploits?
the most real signs of them are the traces they have left upon our
canvases in forming these pictures[3].
The most antient actions, whose lustre has preserved their memory, are
the actions of violence. Nimrod, the mighty hunter, after having worried
the wild beasts, attacks his fellow-creatures. See in the first picture
that gigantic man, the first of those heroes so renowned; see in his
looks pride, ambition, an ardent desire of rule. He framed the first
scheme of a kingdom, and uniting men under the pretence of binding them
together, he enslaved them.
Belus, Ninus, Semiramis ascend the throne, which they strengthen by
fresh acts of violence! and of above thirty kings who successively
reigned, only one closed the wounds of mankind, let Asia take breath,
and governed like a philosopher: his name is almost forgot. History,
which glows at the sight of renowned and tragical events, languishes
over peaceable reigns: and scarce mentions such sovereigns.
Sardanapalus ends this series of kings. Enemy to noise, disorder and
war, he mispends his time, shuts himself up in his palace, and sinks
into effeminacy. The women, thou seest about him, neither think nor
exist but for him. His looks give them life, and he receives life from
theirs. What do I say? He seeks himself with astonishment and finds
himself not; a surfeit of pleasures destroys his taste: he does not
live, but languish.
In the mean time, two of his generals[4] loathing peace, form schemes of
conquests, and feed, themselves with bloody projects. They deem
themselves alone worthy to reign, because they alone breathe war in the
midst of the publick tranquillity. See where they attack and dethrone
their effeminate monarch: and forcing him to destroy himself, they seize
and share his dominions. Thus the Assyrian empire was dismembered, after
having kept Asia in continual alarms above twelve hundred years.
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