“My mama gave me candy every day,” Eloise whimpered. “Her men friends
brung it to her—boxes and boxes of it, and flowers, too. God was mean to
let her die, and make an orphan outa me!”
And because Sally herself had frequently been guilty of the same sinful
thought, she hurried Eloise, without rebuking her, to the front lawn
which always made visitors exclaim, “Why, how pretty! And so homelike!
Aren’t the poor things fortunate to have such a beautiful home?”
For the front lawn, upon which no orphan was allowed to set foot except
in company with a lawnmower or a clipping shears, _was_ beautiful. Now,
in early June, it lay in the sun like an immense carpet, studded with
round or star-shaped beds of bright flowers. From the front, the
building looked stately and grand, too, with its clean red bricks and
its big, fluted white pillars. They were the only two orphans in sight,
except a pair of overalled boys, their tow heads bare to the hot sun,
their lean arms, bare to the shoulders in their ragged shirts, pushing
steadily against whirring lawnmowers.
“Oh, nasturtiums!” Eloise crowed, the first happy sound she had made
since entering the orphanage.
She broke from Sally’s grasp, sped down the cement walk, then plunged
into the lush greenness of that vast velvet carpet, entirely unconscious
that she was committing one of the major crimes of the institution.
Sally, after a stunned moment, sped after her, calling out breathlessly:
“Don’t dast to touch the flowers, Eloise! We ain’t allowed to touch the
flowers! They’d skin us alive!”
But Eloise had already broken the stem of a flaming orange and red
nasturtium and was cuddling it against her cheek.
“Put it back, honey,” Sally begged, herself committing the unpardonable
sin of walking on the grass. “There isn’t any place at all you could
hide it, and if you carried it in your hand you’d get a licking sure.
But don’t you cry, Eloise. Sally’ll tell you a fairy story in play hour
this afternoon.”
The two, Sally’s heart already swelling with the sweet pain of having
found a new child to mother, Eloise’s tear-reddened eyes sparkling with
anticipation, were hurrying up the path that led around the main
building to the weaving rooms in which Sally was to work an extra hour
as punishment for her morning’s “play-acting,” when Clara Hodges came
shrieking from behind the building:
“Sal-lee! Sal-lee Ford! Mrs. Stone wants you. In the office!” she added,
her voice dropping slightly on a note of horror.
“What for?” Sally pretended grown up unconcern, but her face, which had
been pretty and glowing a moment before, was dull and institutional and
sullen again.
“They’s a man—a farmer man—talking to Stone-Face,” Clara whispered, her
eyes furtive and mean as they darted about to see if she were overheard.
“Oh, Sal-lee, don’t let ’em ’dopt you! We wouldn’t have nobody to
play-act for us and tell us stories! Please, Sal-lee! Make faces at him
when Stone-Face ain’t lookin’ so’s he won’t like you!”
Public-domain text, read in full here on John Shaqi.
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