Books and reading -- Juvenile fiction; Fairies -- Juvenile fiction; Fantasy fiction
For never had Rose and Ruth imagined such scenes as they saw about them.
As they left the trees they came out on a smooth meadow, where a
shepherd lad clad in a goatskin all spotted brown and white sat on a
rock, a short, stout crook in his hands, and sang cheerily to himself
and the white flock that grazed nearby. His shock of dark hair
surrounded his head in a tangle of curls, his eyes shown brightly at the
girls, his legs and arms were as brown as they were bare.
“Greetings,” he cried.
“Greeting,” replied Sappho. “Are you coming to see the games?”
“Can I leave my sheep for the wolves to get?”
“They would not run faster than you should a wolf come,” Sappho called
back over her shoulder.
The boy returned to his singing, scorning to reply, but she laughed.
“Now he will sulk when I next meet him,” she said to Rose. “Boys are
amusing. I love to tease them, they who pretend to laugh at us girls
because we are not so strong as they—some day I will show them what
Sappho can do.”
Passing through a vineyard the girls reached the road, down which a
procession was winding its slow way. At the head were men dressed in
long flowing robes, white or dull blue or soft brown. They carried
branches in their hands. Then came six pipers, dressed much like the
girls, in what Sappho called a chito. All wore sandals, and most had a
band of colour or of silver or gold round their heads. Behind the
pipers, who were playing a slow marching air, came a snow-white heifer,
with flowery garlands wreathed about her horns and over her smooth
flanks. Boys in scarlet tunics led her by long ropes decorated with
flowers. Behind these again came many lovely young women, wearing the
chito and also the cloak-like outer robe that fell in many soft folds,
one end being flung over the shoulder. These garments were bewilderingly
varied in colour, some striped, some embroidered, some in strange
patterns, but all were harmonious and beautiful. The people moved gaily
and freely, and occasionally broke out into a chant.
“Where are they taking that white cow?” asked Ruth, gazing rapturously
at the picture they made, with the golden sunlight falling on them, the
garlands swinging, the flowers and costumes each brighter than the
other.
“To the sacrifice,” replied Sappho.
“Do you mean they are going to kill her?”
“Do they not kill cows in your country?”
“Y-yes—but not all covered up with flowers—not a pet cow like that!”
“The cow given to the gods must be the best and prettiest and gentlest
of all, or they would be angry.”
Rose, remembering the Greek stories she had read, suddenly realised that
Sappho probably believed in all those wonderfully named personages she
usually skipped, and feeling her ignorance, did not pursue the subject
further.
A two-wheeled cart drawn by small oxen came up slowly as the girls stood
watching the procession turn into the forest. An old man wrapped in a
dark cloak walked beside it, leaning on a staff. As he neared them
Sappho called out:
Public-domain text, read in full here on John Shaqi.
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